8.25.11

Scrambling around today, picking up the pieces of my life that have been neglected while I was absorbed in finishing the book. Also catching up on my RSS feeds, dragging myself slowly back to the now. While I was going through them, a new Balls of Steel by my friend Jeanne Veillette Bowerman popped up on the Script Magazine blog. It's called "Your Character, Your Career."

Her article touches on some important points that all new writers need to keep in mind. Namely - it is incumbent upon you to create the very best work possible, then bust your ass to make it even better, and then, and only then, start submitting, recognizing that creative industries are by their very nature subjective. But you do have some control over that subjectivity. Just as you have certain book categories and movie genres you enjoy, so do agents and editors. Find the ones that like the kind of stuff you're writing. Learn everything you can about them. Read the books they represent and/or edit. Make certain that these are the right people for your work. Those are the people to query.

And when you do query - Follow their guidelines. While some rules are meant to be broken, for the most part, these are not. If you respect them, they will respect you.

A very wise writer once told me, "All good books find a home."

I do believe that's true. You can't lose faith after a single rejection. This is art, which means some people will love it, and some will hate it. Your job is to get your work in front of the people who will love it. Then your good book will find a home.

The second important part of Jeanne's article is the Character issue.

This one is even easier. Here's a simple guideline to follow. It is a universal truth.

Be a nice person.

Trust me on this. You will go further, have more longevity and find success quicker if you're kind to the people around you. We're all in this together. Pay it forward. Mind your karma. Work hard, don't gossip, keep your nose clean, meet your deadlines, and be professional, always.

That's the secret handshake to succeeding in the publishing world.

On a totally unrelated subject...............

Nineteen years ago today I met a guy. He was pretty darn cute, with his glasses and silver streaked black hair. He had a great smile, a boisterous laugh, and beautiful denim blue eyes. And a wicked big brain - I could tell how crazy smart he was immediately. Long story short, nineteen years ago tomorrow, that really cute, funny, smart guy kissed me, and I was lost. Or perhaps it would be better to say, I was found.

Sixteen years ago tomorrow, we stood in front of a priest and promised to love one another forever.

We aren't doing too badly on that promise. Nineteen of adventure later, I'm more in love with that man of mine than ever. I'll say one thing. It is never boring.

(Happy Anniversary, darling!)

Since tomorrow is my anniversary, I hope you'll excuse me from posting. We will be celebrating our mutual adoration in a secret location with some good food and good wine. I'll be back on here Monday.

In the meantime - those of you in the path of Hurricane Irene - please, please be safe and take the storm seriously. We're all pulling for you.

8.24.11 addendum (the OMG Edition)

OMG! Fantastic review from Romantic Times! And a Top Pick to boot!

 

WHERE ALL THE DEAD LIE
by J.T. Ellison

Genre: Mystery/Suspense/Thriller, Mystery, Suspense, Paranormal

RT Rating  

Ellison deserves to be mentioned in the same breath as Lisa Gardner and Tess Gerritsen. Her latest novel examines life after experiencing a traumatic event while also ripping raw the feelings of grief, fear and loneliness. Ellison is a genius and should be mandatory reading for any thriller aficionado.

After suffering head injuries in her encounter with a killer, Taylor struggles to move on with her life. She’s lost the ability to speak and feels herself slipping away from the man she loves. Realizing she needs a change to jump-start her recovery, she agrees to visit Memphis Highsmythe in Scotland.

Highsmythe has strong feelings for Taylor and tries not to interfere while she recuperates. He promises to leave her alone, but he forgets to mention that the castle is haunted. Taylor is haunted herself, but can she handle all the pressure amidst strange surroundings and survive? (MIRA, Oct., 368 pp., $14.95)

Reviewed By: Jeff Ayers Publisher: MIRA Published: October 2011

 

Okay. This has turned into a BRILLIANT day! First I finish and send the book, then I get this unbelievable review from my darling editor - it's time for some bubbly, my friends. Cheers!

8.24.11

It's done.....

Done, and sent, with it's brand new ending, to New York, where I now cross my fingers that my team likes the changes I've made, and we can go straight to copyedit.

 (Snoopy dance....)

Well, not Snoopy. The Charlie Brown Christmas special dance - you know the one....

 

 

That feels happier to me. Poor Snoopy always gets embarrassed at the end of his and slinks off.

I'm free... to do what I want... any old time.....

Okay, that's not exactly true. I wish it were. But getting this off my plate, plus the slew of other things on my to do list this week, means jumping into the next project, the sandwich book, which is lagging from where I want it to be. Tomorrow. I'll worry about that tomorrow.

And a ton of books that I've been waiting to read - Laura Lippman's new one came out Tuesday, I have Kristina Riggle's THINGS WE DIDN'T SAY next to me, Kathyrn Stockett's  THE HELP, American Assassin by Vince Flynn, THE GIRL WHO PLAYED WITH FIRE.... oh, so many books, so little time. Plus three writing books I need to get under my belt....

Had a major oh shit moment this morning though - somehow, I've been working on two versions of the same document. There is nothing worse than realizing you may have lost some changes. For some strange reason, I opened my entire Finder folder for the book this morning, and happened to glance at the list and saw my snafu. Thank God I caught it in time. I was able to merge the two documents, go back through and make all the fixes (which was a good exercise in making sure I'd done all I needed to do) and went forward.

So it's been a good day. I hope yours was, too.

8.23.11

So close to being finished I can taste it. I've been in the same position for about six hours, I think. (creak) I want to be done so badly that I'm making myself stop, so I don't rush the end. A great work day today - I think by the time I'm done I will have added a lean 5,000 words to the book - clocking it in at just at 90,000 words. 400 pages. Perfect. That's exactly my goal for this one.

I always grow my books during revisions rather than shrink them. It's just how things have naturally played out with every manuscript I've ever written. So I always have to warn my editors beforehand - I come in short, but don't worry. It will be the right length when we're all done.

Have an interview to answer and one to give, so I'm going to keep this short so I can dive into them before dinner. I thought I'd leave you with this fascinating link to an interview Julia Stiles did about her time on Dexter. This was last season, when she played Lumen, who started as a victim, then reclaimed herself through vengeance. She's my all-time favorite character on Dexter. The 5th season's arc is a perfect example of how to grow a character.

THR: What was the most challenging aspect of playing a victim-turned-revenge killer like Lumen?

Stiles: I never think of myself as an actor who takes work home with them, but I was surprised, especially toward the end of the season -- around episode 10 -- when some of the details of what Lumen had experienced became really harrowing, and I started to realize that it was affecting me outside of work. One scene in particular, in episode 10, when the detectives have found DVDs showing what has happened to the victims -- it was really dark. It made it more difficult for me to sleep.

I am slowly conquering my nightmares, but it is nice to hear I am not alone when it comes to falling into the abyss.

Stiles' thought process is as close to my own as I've ever seen. Actually, her process mimics mine to the letter. She had to become the victim in order to play her, and of course, as a writer, you must do that as well, so you can truly allow the reader (or viewer) to experience their terror, and feel true sorrow for them.

And of course, you must be able to identify, even if it's just a tiny bit, with the killer.

Here's the link to the full interview. Enjoy.

See you tomorrow....

8.22.11

Solid work day today. More than halfway through the revision, still on schedule for turning in Wednesday. Got the excerpt for WHERE ALL THE DEAD LIE, if you're interested in reading it. Gnashed my teeth at the sandwich book, though Thursday, it will be mine.

So.... Rachel asked what turned me into a writer. My journey. It's a long story (aren't they all?) I've written about it before, so I'm taking a bit of a shortcut, if you'll allow me. I'll recreate it in blog entries for you:

The First Day - This was my first ever blog post, back on December 4, 2004

From Then To Now - This was my second ever blog post, on March 31, 2006. Note the two year gap. I was writing my fanny off during that time, learning the industry, making friends, joining organizations, working my fanny off (oh yeah, already said that.)

Whoo-hoo! - This was the third, and possibly most important, on May 6, 2006

And then, the whole shebang: From Murderati, on May 19, 2006

I’ve been walking around with a stupid grin on my face since last week, when I received what will be hereafter forever be referred to as “The Call.” The Call came from my agent, a spectacular guy housed high in a building in New York, where he gets to make people’s dreams come true. What a job, huh? As with many agents, he’s a busy guy, so if his number shows up on the caller ID, generally something’s up. And man, was something up last Tuesday.

Let me backtrack for a moment. When Murderati launched back in April, I told you I’d wait to tell you my story. Bits and pieces have come out, but the essential JT Ellison is still under wraps. Let me go over a couple of things that ultimately led to The Call, before we go into the details of said Call, okay?

I’ve been a writer my whole life. I started young, with picture book stories, little shorts with handmade felt hard covers that I illustrated and carried around proudly. I dabbled in poetry, read anything my parents would let me (which was pretty much everything) and dreamed of being famous one day. Then came my first introduction to the harsh world of publishing.

I won a contest when I was in the third grade – a poetry assignment for the local newspaper. I was studying slavery at the time, and wrote this poem from a slave’s point of view. The judges liked it and I won the contest. My grandmother on my Dad’s side, GranMary, was a journalistic type in Gainesville, Florida. She wrote a column in the newspaper, did some short romances, that kind of stuff. My parents sent her the poem. She sent it to TRUE CONFESSIONS magazine. I promptly received a very nice REJECTION LETTER. I was ten. I understood why they didn’t want my poem about slavery – really, what’s romantic about that?

Fast forward to college, senior year, and a professor who told me I’d never get published. That probably offhand comment by a frustrated artist killed my creative spirit. I stopped writing, took a job in politics, went to graduate school to learn how to run political campaigns. Met Hubby, so I guess I need to thank her at the same time. It’s one of those things, the road not taken, which baffles me. I can’t imagine doing it any other way, but what if she had been encouraging, thought I should go ahead with my MFA?

I actually was going that route until my French credits messed the application process up. Apparently, I didn’t have the appropriate language labs fulfilled. I could go back to school for a semester, take French III with language lab, and then I could go for my MFA. Like being able pour s'obtenir à la W.C. dans le Français parfait had any bearing on my ability to write in ENGLISH. So I started looking at MA programs in politics. I wanted to go to Harvard's Kennedy School of Government, but at the last minute, decided to stay in D.C. So The George Washington’s Graduate School of Political Management was the way to go, on every level. I can only imagine what kind of damage that MFA program would have inflicted on my style.

All in all, a good move, because I met my husband the first five minutes of the first night of classes. He kissed me for the first time the next night, and we got married three years later to the dy. That anniversary happens to be coming up this Friday. Our 20th/17th. Unreal.

Fun political career: job in White House, then Department of Commerce, lose election, lose job, go to work  for political sonofabitch, quit, start at Lockheed Martin, end up in marketing for two defense subcontractors. Husband unsettled, wants to move back home to Nashville.

Fast forward to 2003. I’m living in Tennessee, am in between jobs, and have some time on my hands. I’m reading John Sandford’s Prey series front to back. I have a wild hair. I’m going to write a book.

So I did. It was terrible. A true study in cliché, a perfect example of what not to do. Let me assure you, a brilliant first novel really is rare. If you’ve written your first, don’t submit it. Write another. See how much your style improves from one to the next. Then you can start submitting. I tell you this because I made the mistake of submitting the first novel. Egad, it was so bad. But it had a few passages that were very good. After a slew of rejections from publishers and agents, I started over with the best parts of Book 1. That became CROSSED, which got the attention of my agent.

I’m glossing over a lot of angst and sleepless nights because this is the good part, the strawberry days. When the book wasn’t getting the right attention, my agent had the foresight to suggest I write another. ALL THE PRETTY GIRLS caught the attention of my new editor Linda McFall (I love saying that) at Mira Books. I can't imagine a better fit for me.  Now we’re up to date. Rewind to last Tuesday, when I received The Call.

What made this event so incredibly amazing, aside from the fact that I got to hear the magic words – three-book deal – my parents witnessed THE CALL. They are snowbirds, in a sense. The spend summers in my hometown in Colorado, when I spent my formative years. Twice a year they pack up their SUV and drive between homes. This year, they decided to come a day early, spend a few extra hours with Hubby and me. They’d been here for about half an hour, just gotten settled into chairs with drinks, and we had the movie A HISTORY OF VIOLENCE going, when the phone rang. I glanced at the caller ID and said something, well, rude. Along the lines of "Oh f**k". Remember I told you agents are busy folks? They don’t call just to see how your day is going. I knew this was something.

I don’t remember too much of the conversation, unfortunately. My agent teased me a little in the beginning, and since I’m the eternal optimist, I’m thinking, “Damn it, I’ve blown it. It’s over.” My heart was thudding so loudly that I didn’t even hear what he was saying until the words “three book” popped into my consciousness.

I made him go back and repeat everything he’d said. I managed to get through the conversation, half acknowledged when he said congratulations, you’re a published author now, go call your husband. I got Hubby on the phone and told the three most important people in my life the most important news I’ve ever received. And promptly cried my eyes out. I’ve finally done it. I have a book deal.

There are about 217 blogs on Murderati between then and now, if you want to see the whole bleeding mess from that moment on. : )

And here's a link to some deeper info - my inspirations and all that...

It was very fun to go back and look at all of this, so thanks, Rachel. Sometimes it's good to be reminded from whence we came...

'Til tomorrow.... I promise to be less-winded than today.