8.24.11 addendum (the OMG Edition)

OMG! Fantastic review from Romantic Times! And a Top Pick to boot!

 

WHERE ALL THE DEAD LIE
by J.T. Ellison

Genre: Mystery/Suspense/Thriller, Mystery, Suspense, Paranormal

RT Rating  

Ellison deserves to be mentioned in the same breath as Lisa Gardner and Tess Gerritsen. Her latest novel examines life after experiencing a traumatic event while also ripping raw the feelings of grief, fear and loneliness. Ellison is a genius and should be mandatory reading for any thriller aficionado.

After suffering head injuries in her encounter with a killer, Taylor struggles to move on with her life. She’s lost the ability to speak and feels herself slipping away from the man she loves. Realizing she needs a change to jump-start her recovery, she agrees to visit Memphis Highsmythe in Scotland.

Highsmythe has strong feelings for Taylor and tries not to interfere while she recuperates. He promises to leave her alone, but he forgets to mention that the castle is haunted. Taylor is haunted herself, but can she handle all the pressure amidst strange surroundings and survive? (MIRA, Oct., 368 pp., $14.95)

Reviewed By: Jeff Ayers Publisher: MIRA Published: October 2011

 

Okay. This has turned into a BRILLIANT day! First I finish and send the book, then I get this unbelievable review from my darling editor - it's time for some bubbly, my friends. Cheers!

8.24.11

It's done.....

Done, and sent, with it's brand new ending, to New York, where I now cross my fingers that my team likes the changes I've made, and we can go straight to copyedit.

 (Snoopy dance....)

Well, not Snoopy. The Charlie Brown Christmas special dance - you know the one....

 

 

That feels happier to me. Poor Snoopy always gets embarrassed at the end of his and slinks off.

I'm free... to do what I want... any old time.....

Okay, that's not exactly true. I wish it were. But getting this off my plate, plus the slew of other things on my to do list this week, means jumping into the next project, the sandwich book, which is lagging from where I want it to be. Tomorrow. I'll worry about that tomorrow.

And a ton of books that I've been waiting to read - Laura Lippman's new one came out Tuesday, I have Kristina Riggle's THINGS WE DIDN'T SAY next to me, Kathyrn Stockett's  THE HELP, American Assassin by Vince Flynn, THE GIRL WHO PLAYED WITH FIRE.... oh, so many books, so little time. Plus three writing books I need to get under my belt....

Had a major oh shit moment this morning though - somehow, I've been working on two versions of the same document. There is nothing worse than realizing you may have lost some changes. For some strange reason, I opened my entire Finder folder for the book this morning, and happened to glance at the list and saw my snafu. Thank God I caught it in time. I was able to merge the two documents, go back through and make all the fixes (which was a good exercise in making sure I'd done all I needed to do) and went forward.

So it's been a good day. I hope yours was, too.

8.23.11

So close to being finished I can taste it. I've been in the same position for about six hours, I think. (creak) I want to be done so badly that I'm making myself stop, so I don't rush the end. A great work day today - I think by the time I'm done I will have added a lean 5,000 words to the book - clocking it in at just at 90,000 words. 400 pages. Perfect. That's exactly my goal for this one.

I always grow my books during revisions rather than shrink them. It's just how things have naturally played out with every manuscript I've ever written. So I always have to warn my editors beforehand - I come in short, but don't worry. It will be the right length when we're all done.

Have an interview to answer and one to give, so I'm going to keep this short so I can dive into them before dinner. I thought I'd leave you with this fascinating link to an interview Julia Stiles did about her time on Dexter. This was last season, when she played Lumen, who started as a victim, then reclaimed herself through vengeance. She's my all-time favorite character on Dexter. The 5th season's arc is a perfect example of how to grow a character.

THR: What was the most challenging aspect of playing a victim-turned-revenge killer like Lumen?

Stiles: I never think of myself as an actor who takes work home with them, but I was surprised, especially toward the end of the season -- around episode 10 -- when some of the details of what Lumen had experienced became really harrowing, and I started to realize that it was affecting me outside of work. One scene in particular, in episode 10, when the detectives have found DVDs showing what has happened to the victims -- it was really dark. It made it more difficult for me to sleep.

I am slowly conquering my nightmares, but it is nice to hear I am not alone when it comes to falling into the abyss.

Stiles' thought process is as close to my own as I've ever seen. Actually, her process mimics mine to the letter. She had to become the victim in order to play her, and of course, as a writer, you must do that as well, so you can truly allow the reader (or viewer) to experience their terror, and feel true sorrow for them.

And of course, you must be able to identify, even if it's just a tiny bit, with the killer.

Here's the link to the full interview. Enjoy.

See you tomorrow....

8.22.11

Solid work day today. More than halfway through the revision, still on schedule for turning in Wednesday. Got the excerpt for WHERE ALL THE DEAD LIE, if you're interested in reading it. Gnashed my teeth at the sandwich book, though Thursday, it will be mine.

So.... Rachel asked what turned me into a writer. My journey. It's a long story (aren't they all?) I've written about it before, so I'm taking a bit of a shortcut, if you'll allow me. I'll recreate it in blog entries for you:

The First Day - This was my first ever blog post, back on December 4, 2004

From Then To Now - This was my second ever blog post, on March 31, 2006. Note the two year gap. I was writing my fanny off during that time, learning the industry, making friends, joining organizations, working my fanny off (oh yeah, already said that.)

Whoo-hoo! - This was the third, and possibly most important, on May 6, 2006

And then, the whole shebang: From Murderati, on May 19, 2006

I’ve been walking around with a stupid grin on my face since last week, when I received what will be hereafter forever be referred to as “The Call.” The Call came from my agent, a spectacular guy housed high in a building in New York, where he gets to make people’s dreams come true. What a job, huh? As with many agents, he’s a busy guy, so if his number shows up on the caller ID, generally something’s up. And man, was something up last Tuesday.

Let me backtrack for a moment. When Murderati launched back in April, I told you I’d wait to tell you my story. Bits and pieces have come out, but the essential JT Ellison is still under wraps. Let me go over a couple of things that ultimately led to The Call, before we go into the details of said Call, okay?

I’ve been a writer my whole life. I started young, with picture book stories, little shorts with handmade felt hard covers that I illustrated and carried around proudly. I dabbled in poetry, read anything my parents would let me (which was pretty much everything) and dreamed of being famous one day. Then came my first introduction to the harsh world of publishing.

I won a contest when I was in the third grade – a poetry assignment for the local newspaper. I was studying slavery at the time, and wrote this poem from a slave’s point of view. The judges liked it and I won the contest. My grandmother on my Dad’s side, GranMary, was a journalistic type in Gainesville, Florida. She wrote a column in the newspaper, did some short romances, that kind of stuff. My parents sent her the poem. She sent it to TRUE CONFESSIONS magazine. I promptly received a very nice REJECTION LETTER. I was ten. I understood why they didn’t want my poem about slavery – really, what’s romantic about that?

Fast forward to college, senior year, and a professor who told me I’d never get published. That probably offhand comment by a frustrated artist killed my creative spirit. I stopped writing, took a job in politics, went to graduate school to learn how to run political campaigns. Met Hubby, so I guess I need to thank her at the same time. It’s one of those things, the road not taken, which baffles me. I can’t imagine doing it any other way, but what if she had been encouraging, thought I should go ahead with my MFA?

I actually was going that route until my French credits messed the application process up. Apparently, I didn’t have the appropriate language labs fulfilled. I could go back to school for a semester, take French III with language lab, and then I could go for my MFA. Like being able pour s'obtenir à la W.C. dans le Français parfait had any bearing on my ability to write in ENGLISH. So I started looking at MA programs in politics. I wanted to go to Harvard's Kennedy School of Government, but at the last minute, decided to stay in D.C. So The George Washington’s Graduate School of Political Management was the way to go, on every level. I can only imagine what kind of damage that MFA program would have inflicted on my style.

All in all, a good move, because I met my husband the first five minutes of the first night of classes. He kissed me for the first time the next night, and we got married three years later to the dy. That anniversary happens to be coming up this Friday. Our 20th/17th. Unreal.

Fun political career: job in White House, then Department of Commerce, lose election, lose job, go to work  for political sonofabitch, quit, start at Lockheed Martin, end up in marketing for two defense subcontractors. Husband unsettled, wants to move back home to Nashville.

Fast forward to 2003. I’m living in Tennessee, am in between jobs, and have some time on my hands. I’m reading John Sandford’s Prey series front to back. I have a wild hair. I’m going to write a book.

So I did. It was terrible. A true study in cliché, a perfect example of what not to do. Let me assure you, a brilliant first novel really is rare. If you’ve written your first, don’t submit it. Write another. See how much your style improves from one to the next. Then you can start submitting. I tell you this because I made the mistake of submitting the first novel. Egad, it was so bad. But it had a few passages that were very good. After a slew of rejections from publishers and agents, I started over with the best parts of Book 1. That became CROSSED, which got the attention of my agent.

I’m glossing over a lot of angst and sleepless nights because this is the good part, the strawberry days. When the book wasn’t getting the right attention, my agent had the foresight to suggest I write another. ALL THE PRETTY GIRLS caught the attention of my new editor Linda McFall (I love saying that) at Mira Books. I can't imagine a better fit for me.  Now we’re up to date. Rewind to last Tuesday, when I received The Call.

What made this event so incredibly amazing, aside from the fact that I got to hear the magic words – three-book deal – my parents witnessed THE CALL. They are snowbirds, in a sense. The spend summers in my hometown in Colorado, when I spent my formative years. Twice a year they pack up their SUV and drive between homes. This year, they decided to come a day early, spend a few extra hours with Hubby and me. They’d been here for about half an hour, just gotten settled into chairs with drinks, and we had the movie A HISTORY OF VIOLENCE going, when the phone rang. I glanced at the caller ID and said something, well, rude. Along the lines of "Oh f**k". Remember I told you agents are busy folks? They don’t call just to see how your day is going. I knew this was something.

I don’t remember too much of the conversation, unfortunately. My agent teased me a little in the beginning, and since I’m the eternal optimist, I’m thinking, “Damn it, I’ve blown it. It’s over.” My heart was thudding so loudly that I didn’t even hear what he was saying until the words “three book” popped into my consciousness.

I made him go back and repeat everything he’d said. I managed to get through the conversation, half acknowledged when he said congratulations, you’re a published author now, go call your husband. I got Hubby on the phone and told the three most important people in my life the most important news I’ve ever received. And promptly cried my eyes out. I’ve finally done it. I have a book deal.

There are about 217 blogs on Murderati between then and now, if you want to see the whole bleeding mess from that moment on. : )

And here's a link to some deeper info - my inspirations and all that...

It was very fun to go back and look at all of this, so thanks, Rachel. Sometimes it's good to be reminded from whence we came...

'Til tomorrow.... I promise to be less-winded than today.

8.20.11

From Murderati 8.19.11

Don’t you love having epiphanies?

Those lightning bolt moments of awareness, enlightenment, insight that alters your consciousness, your actions, even the course of your life?

I’ve been on the road a lot over the past two months. Florida, New York, Florida again, Colorado (where I am now) and then to Florida once more, then on to St. Louis for Bouchercon. Six roundtrips in two months – for me, that’s a lot of on the road time. A lot of out of the groove, snatching time to write, long stretches without Internet access, and even, blessedly, some downtime. I have been writing the whole time, and I’ve also been sick. Those of you who saw me in New York got to witness that first hand, and now I’m catching another little summer chest cold. Ugh.

But along these crazy paths, I’ve gotten time to do some thinking. About my work, and my life. About what I want to be doing, and where I want things to go. And with that kind of Jack Handy deep thoughts come the epiphanies.

The first was along a darkened road in Florida. This one was so hand to forehead smackingly obvious that I felt like a true idiot when I figured it out.

I’ve been blogging for many years now. First weekly, then bi-monthly here, and also infrequently on my own blog, Tao of JT. I’m sure every blogger in the world who also writes novels has the same issue—you tend to think every moment spent away from your novel is a moment lost. But it’s something we need to do. Each and every moment in the real world can be mined for blog material. At least that’s my thinking. I’m always examining moments and situations and wondering, “How can I turn this into my Murderati blog?”

I went through this when I first joined Twitter. I started thinking in 140 character updates – how can I share this experience in 140 characters or less, make it relatable and also funny? Thankfully, I trained my mind away from that, because it’s just too easy to get lost in that kind of thinking.

Blogging, Twitter, Facebook – the sharing of information we find important, but the vast majorities of others don’t.

I’ve always viewed these extraneous activities are relatively unhealthy endeavors. Outside of blogging, which has taught me the discipline of deadlines and getting butt in chair to write, even if it is non-fiction.

My epiphany was thus: I’m a novelist, damn it. I shouldn’t be mining my moments for blog material. I need to be using those little vignettes in my fiction.

Ding. Dingdingdingdingdingdingding!

I think I knew this unconsciously, because so many of my vignettes do get poured into my fiction. But realizing I was thinking in terms of what to blog instead of what to write was revelatory for me. And of course, my first reaction was I must stop blogging.

We at Murderati have seen a rash of authors having this revelation lately. The more we focus on our fiction, the more books we can produce, and in the current environment, which is undeniably rough, the more good books you can write, the better off you are.

Since I’m prone to the drastics sometimes, I forced myself to take a step back, and talked myself off that particular ledge. At least for now. Instead, I have been working very hard to reprogram myself to think in terms of fiction instead of non-fiction. To separate what is story, and what is information. What is narrative, and what is insight.

The second epiphany was during the writing of a book I’m working on. I’ve always said writer’s block is your story’s way of telling you you’re going in the wrong direction. I hit a point in the story that just didn’t feel genuine. Something was very wrong. I started trying to talk it out – to Randy, to my parents. I’d just decided to go ahead and call my agent and get his take when it hit me. The part I was concerned about wasn’t the issue, it was 15,000 words earlier – an action the heroine takes that is … well… I don’t want to be too hard on myself, but the course of events was just plain STUPID. As in stoopid, stupid.

When I saw that, the path to the next act became very clear. Phew.

The third epiphany came early last week, when I sat down to a beautiful long clear writing day and got exactly jack shit done.

I was so mortified with myself that I figured I needed a public tongue-lashing. I wrote a blog and detailed all the things I had done instead of creating – and the responses gave me an interesting thought.

Sometimes, I need a little external motivation. I know people think I write fast, but as we’ve discussed, I am a bulimic writer – I gorge on words during marathon writing session instead of doing a good job of the daily grind. Take one look at my travel schedule and you see how that’s playing out for me. It’s cacophonous. My good habits have been broken. I need to reset, majorly.

I used to be able to do the daily grind. Before conferences and promotions and book tours – all the things that have to happen if you want to get your name out there.

I am a writer. My JOB is writing. So damn it, writing is what I’m going to do, even if I have to publicly report in what I’ve done that day to get myself back on track.

So if you’re interested in that daily grind, I’m writing it up on Tao of JT. I’m posting at 5pm each weekday, just a little snippet of what I’ve done that day – the good, the bad, the ugly. I of course have been feeling a little guilty about this – as I went into last week looking at ways to cut back my non-fiction writing, and instead seem to have quadrupled it. But I know myself, and I know what I need.

The fourth epiphany came just this morning, as I was reading through my RSS feeds. It isn’t exactly a revelation to you that I try to follow a minimalist lifestyle. I am working on finding my inner zen, because the more serene I am, the more serene my surroundings, the better I work, and the happier my family is. This journey has been fraught with setbacks, but I finally feel like I’m making progress. This morning, I was re-reading “30 Lessons from 30 Years” by Joshua Millburn of The Minimalists, and his number 10 slapped me across the face.

10. Finding your passion is important. My passion is writing….

My passion is writing.

Ding. Again.

My passion is writing. Writing. Whether it’s fiction or non-fiction, the manipulation of words to convey meaning, emotion and story is my passion.

I don’t need to feel guilty about blogging. That isn’t necessarily time away from writing. It IS writing. It’s all writing. Every time I put my fingers to the keyboard, I’m creating.

Duh.

Sometimes I feel so new to this game. I imagine my more experienced colleagues are reading this and laughing behind their hands at my naïveté. But hey, we all have to have our own realizations. No one can tell you exactly how to climb the mountains. They can just wave when they climb back down and tell you how exhilarating it is when you reach that zenith.

So, ‘Rati, tell me - Have you had any epiphanies lately?

 Wine of the Week: Layer Cake Primitivo Super yummy!!!