Poems from ALL THE PRETTY GIRLS

 To celebrate the release of ALL THE PRETTY GIRLS in the UK* August 20, I thought I'd share the full text of the poems that are significant to the book. They're some of my all-time favorites. I hope you like them too!

PERFECT WOMAN

by William Wordsworth

She was a phantom of delight
When first she gleam'd upon my sight;
A lovely apparition, sent
To be a moment's ornament;
Her eyes as star of twilight fair;
Like twilight's, too, her dusky hair;
But all things else about her drawn
From May-time and the cheerful dawn;
A dancing shape, an image gay,
To haunt, to startle, and waylay.

I saw her upon nearer view,
A Spirit, yet a Woman too!
Her household motions light and free,
And steps of virgin liberty;
A countenance in which did meet
Sweet records, promises as sweet;
A creature not too bright or good
For human nature's daily food;
For transient sorrows, simple wiles,
Praise, blame, love, kisses, tears, and smiles.

And now I see with eye serene
The very pulse of the machine;
A being breathing thoughtful breath,
A traveller between life and death;
The reason firm, the temperate will,
Endurance, foresight, strength, and skill;
A perfect Woman, nobly plann'd
To warm, to comfort, and command;
And yet a Spirit still, and bright
With something of angelic light.

LEDA AND THE SWAN

by William Butler Yeats

A sudden blow: the great wings beating still
Above the staggering girl, her thighs caressed
By the dark webs, her nape caught in his bill,
He holds her helpless breast upon his breast.
How can those terrified vague fingers push
The feathered glory from her loosening thighs?
And how can body, laid in that white rush,
But feel the strange heart beating where it lies?
A shudder in the loins engenders there
The broken wall, the burning roof and tower
And Agamemnon dead.
Being so caught up,
So mastered by the brute blood of the air,
Did she put on his knowledge with his power
Before the indifferent beak could let her drop?

LOVE

by Samuel Taylor Coleridge

All thoughts, all passions, all delights,
Whatever stirs this mortal frame,
All are but ministers of Love,
         And feed his sacred flame.

Oft in my waking dreams do I
Live o'er again that happy hour,
When midway on the mount I lay,
         Beside the ruin'd tower.

The moonshine, stealing o'er the scene,
Had blended with the lights of eve;
And she was there, my hope, my joy,
         My own dear Genevieve!

She lean'd against the armed man,
The statue of the armed Knight;
She stood and listen'd to my lay,
         Amid the lingering light.

Few sorrows hath she of her own,
My hope! my joy! my Genevieve!
She loves me best whene'er I sing
         The songs that make her grieve.

I play'd a soft and doleful air;
I sang an old and moving story--
An old rude song, that suited well
         That ruin wild and hoary.

She listen'd with a flitting blush,
With downcast eyes and modest grace;
For well she knew I could not choose
         But gaze upon her face.

I told her of the Knight that wore
Upon his shield a burning brand;
And that for ten long years he woo'd
         The Lady of the Land.

I told her how he pined: and ah!
The deep, the low, the pleading tone
With which I sang another's love,
         Interpreted my own.

She listen'd with a flitting blush,
With downcast eyes, and modest grace;
And she forgave me, that I gazed
         Too fondly on her face!

But when I told the cruel scorn
That crazed that bold and lovely Knight,
And that he cross'd the mountain-woods,
         Nor rested day nor night;

That sometimes from the savage den,
And sometimes from the darksome shade,
And sometimes starting up at once
         In green and sunny glade--

There came and look'd him in the face
An angel beautiful and bright;
And that he knew it was a Fiend,
         This miserable Knight!

And that, unknowing what he did,
He leap'd amid a murderous band,
And saved from outrage worse than death
         The Lady of the Land;--

And how she wept and clasp'd his knees;
And how she tended him in vain--
And ever strove to expiate
         The scorn that crazed his brain;--

And that she nursed him in a cave;
And how his madness went away,
When on the yellow forest leaves
         A dying man he lay;--

His dying words--but when I reach'd
That tenderest strain of all the ditty,
My faltering voice and pausing harp
         Disturb'd her soul with pity!

All impulses of soul and sense
Had thrill'd my guileless Genevieve;
The music and the doleful tale,
         The rich and balmy eve;

And hopes, and fears that kindle hope,
An undistinguishable throng,
And gentle wishes long subdued,
         Subdued and cherish'd long!

She wept with pity and delight,
She blush'd with love and virgin shame;
And like the murmur of a dream,
         I heard her breathe my name.

Her bosom heaved--she stepp'd aside,
As conscious of my look she stept--
Then suddenly, with timorous eye
         She fled to me and wept.

She half enclosed me with her arms,
She press'd me with a meek embrace;
And bending back her head, look'd up,
         And gazed upon my face.

'Twas partly love, and partly fear,
And partly 'twas a bashful art,
That I might rather feel, than see.
         The swelling of her heart.

I calm'd her fears, and she was calm,
And told her love with virgin pride;
And so I won my Genevieve,
         My bright and beauteous Bride.

THE FLEA

by John Donne

MARK but this flea, and mark in this,
How little that which thou deniest me is ;
It suck'd me first, and now sucks thee,
And in this flea our two bloods mingled be.
Thou know'st that this cannot be said
A sin, nor shame, nor loss of maidenhead ;
    Yet this enjoys before it woo,
    And pamper'd swells with one blood made of two ;
    And this, alas ! is more than we would do.

O stay, three lives in one flea spare,
Where we almost, yea, more than married are.
This flea is you and I, and this
Our marriage bed, and marriage temple is.
Though parents grudge, and you, we're met,
And cloister'd in these living walls of jet.
    Though use make you apt to kill me,
    Let not to that self-murder added be,
    And sacrilege, three sins in killing three.

Cruel and sudden, hast thou since
Purpled thy nail in blood of innocence?
Wherein could this flea guilty be,
Except in that drop which it suck'd from thee?
Yet thou triumph'st, and say'st that thou
Find'st not thyself nor me the weaker now.
'Tis true ; then learn how false fears be ;
Just so much honour, when thou yield'st to me,
Will waste, as this flea's death took life from thee.

*Signed copies of ATPG are availble from Heffer's Bookshop in Cambridge and Waterstone's in Chelsea