8.14.14 - On Making Strides

I’m sitting here, wet and chilly, after hitting balls in the rain to prepare to play golf in the morning with my dad and his pals, a terrifying prospect because the last time I played, I did so horribly I made all kinds of assurances and promises that I would be a better partner this time, and I haven’t played a single day this summer. 

Shite.

The ball striking was good, but I’m rather distracted, because I’m finally making strides with the book. The Big Blow Up of 2014  worked - I think - and I’ve revised the 36 chapters I had already written, adding 7 in the process. I’m over 85K now, and the end isn’t in sight, but there might be a glimmer of hope ahead. So.

And yes, I'm wildly distracted by the events in Ferguson, and Israel, and the tragic death of Robin Williams and the continuing ebook fight, and watching the fascinating and sometimes irresponsible phenomenon called social activism, where the mob winds people up and sets them loose, stumbling forth in outrage and vitriol and misinformation. I'm trying not to let it tear me too far from my own work, but it is hard to ignore. 

In much better news, my Dad turns 80 Saturday. We will be feting him in various ways, and I’ll be happily tied up with family business this weekend. So it’s back to work Monday and by damn, there will be a draft by next Friday. There. I said it. So it will happen, right?

Who made the pear sorbet from this month's newsletter? How was it?

J.T. Ellison

J.T. Ellison is the New York Times and USA Today bestselling author of more than 25 novels, and the EMMY® award winning co-host of thJoss Walkere literary TV show A WORD ON WORDS. She also writes urban fantasy under the pen name Joss Walker.

With millions of books in print, her work has won critical acclaim and prestigious awards. Her titles have been optioned for television and published in twenty-eight countries.

J.T. lives with her husband and twin kittens in Nashville, where she is hard at work on her next novel.

8.11.14 - On Frustrations, and Refilling the Well

My journal entry yesterday begins with this rather alarming phrase: "Sometimes, you just have to blow up a book."

I’m nearly to the end of the book -- that is, the word count says I’m nearly to my end goal. I personally am nowhere near the end, and need to get there, STAT.

I’ve been writing a book that I started in late April that's plot line began to play out on the nightly news three weeks ago, and it has gotten so topical I couldn’t see the forest for the trees. This is the writer’s worst fear -- that something they come up with will happen, and then it seems the book was written as a response to the news, rather than being a precursor. It happens more often than you'd think, which is why our government has a few authors in from time to time to brainstorm "worst case scenarios." Our creativity has prevented many terrible issues, I'm sure.

But there are times when the story just ain't gonna fly. Saturday, tired of struggling with this, I decided I needed to make some rather large changes. I stayed up very late writing down “fixes,” ten of them in all, then Sunday morning, went back to Page 1 and started over.

Page 1 rewrites are terror inducing, but sometimes necessary. I’ve only done it twice before, and never this far into the writing, but both books ended up much stronger for the last-minute alterations. And I’m feeling better about the story. Ninety percent of what’s there stays, it’s just being reworked to be simpler, less topical, and more personal to Sam.

I’ve already rewritten the first 20 chapters, and am hoping to have a draft done by next week. 

In the meantime, in the moments I’m not writing, I am desperately trying to refill the well. Which means watching movies, which led me to Armageddon last night. There is a scene in particular that blows me away every time, and after I watched it, covered in goosebumps, I starting thinking about my top movie scenes ever. So here’s the list:

Armageddon:
The twin shuttle launches, both snaking into the twilight sky

Gladiator:
Maximus in the Coliseum. He jumps on a horse and is thrown a sword, which he catches and twirls into a lethal grip.

G.I. Jane
Jordan [bleeding]: “Master Chief?” 
Master Chief: “Lieutenant, seek life elsewhere.”
Jordan [screams, to the delight of her team] “Suck my dick.”

Star Trek (2009):
When Sulu brings the Enterprise up out of the cloud vapor to save the day. And the score… perfection.

Star Wars:
The immediate opening, the crash of the music as the words begin scrolling backward into the universe.

Harry Potter and the Deathly Hallows (Part Two): 
The Courtyard Battle Scene. The score makes this incredible moment truly magnificent.

French Kiss
At the very end, just before the credits, when Kevin Kline kisses Meg Ryan on the hillside above their vineyard, picking her up in a passionate embrace neither of them could have imagined when they first met. *sighs*

Dead Poet's Society
"O Captain, my Captain."
"
So avoid using the word ‘very’ because it’s lazy. A man is not very tired, he is exhausted. Don’t use very sad, use morose. Language was invented for one reason, boys - to woo women - and, in that endeavor, laziness will not do. It also won’t do in your essays.”
(I can't believe we've lost Robin Williams today. Heartbroken. He was amazing.)

One of the best part!. Love every single word of this part!

Ending to DPS

Do you have a favorite movie moment?

J.T. Ellison

J.T. Ellison is the New York Times and USA Today bestselling author of more than 25 novels, and the EMMY® award winning co-host of thJoss Walkere literary TV show A WORD ON WORDS. She also writes urban fantasy under the pen name Joss Walker.

With millions of books in print, her work has won critical acclaim and prestigious awards. Her titles have been optioned for television and published in twenty-eight countries.

J.T. lives with her husband and twin kittens in Nashville, where she is hard at work on her next novel.

7 Minutes With... Meg Gardiner

I have the distinct honor of having one of the coolest chicks in crime fiction on the blog today. Meg Gardiner has written twelve exceptional crime novels, and her latest, PHANTOM INSTINCT, simply blew me away The opening scene literally left me with my mouth hanging open, and the premise (against the backdrop of Fregoli Syndrome) is awesome. Her writing is sharp and intense and wildly descriptive, elements that are hard to find in a single title. Plus, she's smart, funny, gorgeous, and great company on panels, and now has Nashville ties, so we get to catch up. If you're not reading her, you need to rectify that immediately. 

I give you the divine Meg Gardiner!


______________


Set your music to shuffle and hit play. What’s the first song that comes up?

“The Heart of the Matter,” Don Henley. Oh, man, is this a great song to come up. It’s world-wise, heartbroken, and hopeful. “Baby, I’ve been trying to get down to the heart of the matter… and I think it’s about forgiveness… forgiveness…” When I was writing the ending of China Lake, I would put this on repeat, unleash an emotional typhoon, and let it all pour onto the page. 

Now that we’ve set the mood, what are you working on today?

I’m trying to come up with a nickname for a villain. Something sharp, memorable, and portentous. So, probably not Fluffy the Slayer. 

What’s your latest book about?

Phantom Instinct is about two survivors of a catastrophic shootout who work together to stop a killer. They have to, because nobody else believes he exists. 

Harper Flynn is tending bar at an L.A. club when gunman invade and open fire, killing her boyfriend. Aiden Garrison is the L.A. Sheriff’s Dept. detective on the scene. He takes down two shooters before being severely injured. A third shooter escapes in the chaos—but only Harper and Aiden see him. The problem? Harper is an ex-thief, and the cops don’t trust her word. Worse, Aiden has suffered a traumatic brain injury that leaves him with Fregoli syndrome. This is a kind of face blindness that can cause him to think the person he’s looking at is actually somebody else in disguise. He can think his worst enemy is coming at him, camouflaged as a friend, family, or bystander. He can’t trust his own eyes. 

But the killer is back, and stalking survivors. The more Harper and Aiden learn about the shootout, the more dangerous things get. The more they’re drawn to each other. And the more each of them fears that the other might betray them. They have to choose whether to trust their hearts and their instincts. Because the killer is closing in, and wants to put Harper and Aiden—and those they love—in the line of fire.

Where do you write, and what tools do you use?

In an office looking out at live oaks and a southwestern sky. I use my MacBook Pro, with MS Word for Mac. And when I need to flesh out and connect fragmentary ideas, I write by hand on white typing paper. Using a Rollerball Fine Point pen, of which I have many. Many, many. My precious. 

What was your favorite book as a child?

A Wrinkle in Time, by Madeleine L’Engle.

What’s your favorite bit of writing advice?

Figure out what the chase is, and cut to it. This will help you (a) eliminate flab in your work, (b) yank backstory and infodumps from the start of your story, (c) speed up the pace, and, most important, (d) discover WHERE YOUR STORY STARTS. It should start in the middle of the action, and as close to the ending as possible.

What do you do if the words aren’t flowing?

Read, hike, swim, eat, nap… let me rephrase that: meditate. Shutting out all distractions and closing your eyes in a quiet room allows submerged ideas to swim into focus.

And finally, vitally: sit my butt down at the keyboard and write anyway.

What would you like to be remembered for?

Being a good mom, a good wife, a good friend, and writing stories that stay with readers. Also: being the first person to walk on Mars. Might have to wait for my next life for that one.

 ______________


Meg Gardiner is the author of twelve acclaimed thrillers. Her award-winning novels have been bestsellers in the U.S. and internationally and have been translated into more than 20 languages. They’ve been called “nailbiting and moving… intelligent escapism at its best” (Guardian), “simply a fantastic story, told at breakneck speed” (Associated Press), “as fast-paced and nailbiting as a season of 24” (Florida Times-Union), and “riveting… a book you just can’t put down” (Chicago Sun-Times).

The Evan Delaney novels feature a journalist from Santa Barbara, California. Stephen King calls them “simply put, the finest crime-suspense series I’ve come across in the last twenty years.” China Lake, the first novel in the series, won the 2009 Edgar Award for Best Paperback Original.

The Jo Beckett series features a San Francisco forensic psychiatrist. The Dirty Secrets Club was chosen one of Amazon’s Top Ten thrillers of 2008, and won the Romantic Times Reviewers’ Choice Award for Best Procedural Novel of the year. The Nightmare Thief, featuring both Jo Beckett and Evan Delaney, won the 2012 Audie Award for Thriller/Suspense audiobook of the year. The Shadow Tracer was named one of Kirkus Reviews’ Best Books of 2013.

Meg’s new stand alone thriller, Phantom Instinct, has been named one of O, The Oprah Magazine’s “Best Books of Summer.”

Meg was born in Oklahoma City and raised in Santa Barbara, California. She graduated from Stanford University and Stanford Law School. Before writing novels, she practiced law Los Angeles and taught writing at the University of California Santa Barbara. She and her husband have three kids. She lives in Austin, Texas.

About Phantom Instinct (out now):

In Edgar Award–winning author Meg Gardiner’s new stand-alone thriller, an injured cop and an ex-thief hunt down a killer nobody else believes exists.

When shots ring out in a crowded L.A. club, bartender Harper Flynn watches helplessly as her boyfriend, Drew, is gunned down in the cross fire. Then somebody throws a Molotov cocktail, and the club is quickly engulfed in flames. L.A. Sheriff Deputy Aiden Garrison sees a gunman in a hoodie and gas mask taking aim at Harper, but before he can help her a wall collapses, bringing the building down and badly injuring him.

A year later, Harper is trying to rebuild her life. She has quit her job and gone back to college. Meanwhile, the investigation into the shoot-out has been closed. The two gunmen were killed when the building collapsed.

Certain that a third gunman escaped and is targeting the survivors, Harper enlists the help of Aiden Garrison, the only person willing to listen. But the traumatic brain injury he suffered has cut his career short and left him with Fregoli syndrome, a rare type of face blindness that causes the delusion that random people are actually a single person changing disguises.

As Harper and Aiden delve into the case, Harper realizes that her presence during the attack was no coincidence—and that her only ally is unstable, mistrustful of her, and seeing the same enemy everywhere he looks.

J.T. Ellison

J.T. Ellison is the New York Times and USA Today bestselling author of more than 25 novels, and the EMMY® award winning co-host of thJoss Walkere literary TV show A WORD ON WORDS. She also writes urban fantasy under the pen name Joss Walker.

With millions of books in print, her work has won critical acclaim and prestigious awards. Her titles have been optioned for television and published in twenty-eight countries.

J.T. lives with her husband and twin kittens in Nashville, where she is hard at work on her next novel.

8.5.14 - On Showing Up

I read a great article this morning by Leo Babuta called “Making Yourself Work.” It's an excellent piece, and I highly recommend reading it. For the crib notes, Leo makes a point I’m sure you’ve heard before: Showing up is the most important part of getting your work done.

But we’re creatives, you say. We work for ourselves, at our own pace. We have freedom! We decide whether to open our manuscript or go have lunch with friends. Our boss isn’t going to chuck us out the door for not showing up. We’re just creating stories for our readers, or music for an unseen audience, or paintings for future clients. We don’t have to punch a clock. That's why we got into this racket.

We have such a delicate faith in ourselves. If we build it, you will come. So there’s no need to really push ourselves. We’ll get it done. Someday. 

Right?

Wrong. Like in any other profession, if creatives don’t show up for work, we do get fired. And being fired by your Muse is a pretty shitty thing to have happen.

This is why I preach discipline. Creativity is a muscle that gets stronger and more defined the more you work it. You have to touch the manuscript (painting, song, lyric, blog, etc.) you’re working on every day. I think this is the most important part of being a creative. 

If you can’t write new words, you need to edit. If you can’t edit, start at the beginning, and read. Renumber your chapters. Change the font. Count the words. Eventually, things will click, and the words will pour onto the page.

But if you write one day, then walk away, the muscles atrophy. And it gets harder and harder to call the Muse down on your terms. When you start working to hers? You’re screwed, because she can be very flirty.

At least, mine can. I too need this reminder. The new Sam book is starting to shape up, and I have been working hard on it. I’m in the last big stretch, the last 25K, and I hit a stumbling block today. 

I started a scene at 11:30. At 12:30, I broke for lunch, having only written 100 words. At 1:30, I had 200, and was lost. I didn’t know why in the hell the scene was here. But something told me it was important. I’ve been doing this long enough to trust my Muse when she starts something.

All afternoon, it went like this. Me staring at the page. Not knowing what I was doing. I went back a few chapters, editing forward. Still nothing. Had a chat with my agent. Still nothing. Decided to call it a day with 300 words, very disappointed. And as I was closing the manuscript, boom. It hit me. I looked back over those meager 300 words, and saw where my subconscious was going. It is a HUGE golden thread that allows me to answer an entire subplot’s critical question, and might just be the last puzzle piece I’ve been looking for.

If I hadn’t read Leo’s blog this morning, I might have given up earlier this afternoon, when I wasn’t feeling it. But I kept after it, and something magical happened. I finished with only 1000 words, but what would have happened if I'd given up? 

Showing up is 9/10th of the battle. I love proving it to myself. Prove it to yourself, too.

Write hard, my friends.

 

While I was struggling this morning, I added a new page to my website with some live interviews and podcast links. Check it out!

J.T. Ellison

J.T. Ellison is the New York Times and USA Today bestselling author of more than 25 novels, and the EMMY® award winning co-host of thJoss Walkere literary TV show A WORD ON WORDS. She also writes urban fantasy under the pen name Joss Walker.

With millions of books in print, her work has won critical acclaim and prestigious awards. Her titles have been optioned for television and published in twenty-eight countries.

J.T. lives with her husband and twin kittens in Nashville, where she is hard at work on her next novel.

7.31.14 - On A Great Writing Top Ten

/Source

J.T. Ellison

J.T. Ellison is the New York Times and USA Today bestselling author of more than 25 novels, and the EMMY® award winning co-host of thJoss Walkere literary TV show A WORD ON WORDS. She also writes urban fantasy under the pen name Joss Walker.

With millions of books in print, her work has won critical acclaim and prestigious awards. Her titles have been optioned for television and published in twenty-eight countries.

J.T. lives with her husband and twin kittens in Nashville, where she is hard at work on her next novel.