Best Links of the Week

 

A gathering of the most interesting stories and essays of the week.

Lessons from Sherlock Holmes: How do you kill your hero? | Literally Psyched, Scientific American Blog Network 

What It Takes: Art and Polarity -Why it's OK to make, and believe, judgments about people. You must do so for your art.

5 Writing Tips from Tana French  (Great tips from a superb writer)

Nominalizations Are Zombie Nouns  (Such a fabulous article - simple, direct, plain language is always best.)

Confessions of a Hypochondriac: The New Yorker (Hurrah! Hypochondriacs unite!)

August Newsletter

August 2012
Volume XV

My dear readers: 

For those of you new to the newsletter, welcome! Thank you for joining, I'm thrilled to see you here! Pour that hot tea over a cup of ice, pull up a chair, and let's get to it. 

The days are getting shorter, the political landscape is heating up and if you're anything like me, escape is the only acceptable course of action. Since this is the last of my summer newsletters, I must suggest some more excellent beach reads. New this month are books from some of my favorites authors: a YA thriller by Michelle Gagnon, DON'T TURN AROUND; the latest Lucy Kincaid thriller from Allison Brennan, STALKED; a lovely romantic thriller, HERON'S COVE, byCarla Neggers, and an intense religious thriller from Sean Chercover: THE TRINITY GAME. Goodness, I see a trend. So let's buck it with one last recommendation — THE MAGICIANS, by Lev Grossman. It's Donna Tartt's THE SECRET HISTORY meets Harry Potter — intellectual thermonuclear magic for adults. I couldn't put it down.


A DEEPER DARKNESS Releases in Australia 

You've been so patient and so kind, and finally, here it is! I'm so excited to share that Sam has gone down under. There's a great contest associated with the release as well, click here to enter. Would love to hear what you think of the new book.


Contest

The July contest has closed, and the winner is Barbara Gonzales. Congratulations! Your copy of THRILLER 3: LOVE IS MURDER is on its way. And of course that means the August contest is now open. At stake this month is the audiobook of A DEEPER DARKNESS, read by Joyce Bean. You can enter here

News

I've just returned from RWA's national conference in Anaheim, California. I was honored to have WHERE ALL THE DEAD LIE nominated for a RITA® in romantic suspense, and the awards ceremony was an extravaganza. J.D. Robb ended up winning my category, but I had an absolute blast. It was great to scrap the yoga pants in favor of a real live ball gown. Pics are up on the Facebook page, and I'll upload them to the site soon. 

The neat thing about attending a massive conference (1800 attendees and 800 writers) is the inspiration. I always come out of conferences with a sense of urgency about my writing, a need to get down to work, produce tons of words, and be a real writer. There's something about seeing people honored for their 100th, heck, 200th book that is a vital kick in the butt. If you're a writer, or want to be, I highly recommend finding your nearest writers' conference and attending. It's an eye opening experience. And if you're a reader, trust me, being in the same room as 50 or so of your favorite writers at once is so worth it.


Tours

On the plane home, I took a good hard look at the calendar and realized I am actually booking through 2014. I like to plan in advance, sure, but that's just ridiculous. 2013 is going to be a slower year for me on purpose, as I'll have three books and a short story to write, so staying home is vital. Next week I'm off to Cape Cod for the SEAK Conference for Doctors and Lawyers, then we are actually going on vacation. No internet! No working! (I delude myself into believing these declarations, but I will try to unplug.) October brings Nashville's very ownSouthern Festival of Books and in November I'll be at the Dahlonega Literary Festivalin Georgia. Looking forward to fall in the mountains! 

If you are a Nashville honey, there will be a happy hour fundraiser called BEER, BOOKS, AND BANTER to celebrate SoFest August 28, 5:30 p.m. at Yazoo Brewery. $20 at the door, RSVP to Georgia@HumanitiesTennessee.org. You really must attend, if only to celebrate like-minded people's love of the Oxford comma. 

August Recipe

I don't know about you, but it's so hot that I barely want to eat, much less cook. This is the time of year when I feel my Italian roots the most — antipasto is the only good solution. We love honeydew and cantaloupe wrapped in lean prosciutto with a drizzle of EVOO and cracked pepper, hard salami with shaved parmesan and fresh mozzarella, and the simplest bruschetta on the planet — garlic-rubbed bread toasted under the broiler for a few minutes, topped with ripe halved cherry tomatoes, freshly picked sweet basil from the garden, a little EVOO and a grind of sea salt. Quick, simple, delicious. The trick is sweet basil versus regular. Makes all the difference in the world. 

Social Butterfly

Just a reminder: Facebook wants me to pay to have my posts seen in your timeline feeds. I find that unfair, so if you aren't seeing my updates, please come to the reader page,http://www.facebook.com/jtellison14, and Un-Like me. Yes, Un-Like me. Then “Like” me again, hover your mouse over the Liked button, and check the box that says Show in my Newsfeed. As an added bonus, leave a comment on the wall. Those few steps will help assure that you see my updates. But since I understand how algorithms work, (in other words, Facebook controls everything you see, whether you want to or not) I am also going to be spending a little more time on my personal blog. So if it crosses your mind that you haven't heard from me lately, hop on over to the blog and join the conversation there. As always, I'm playing on Twitter under the handle @thrillerchick. 

Enjoy the rest of your summer, and many blessings to all of you. Happy reading! 

xoxo,

A DEEPER DARKNESS Releases in Australia

A DEEPER DARKNESS goes down under with a kick ass cover and a great contest.

Thank you all for being so patient with the release!

ENTER NOW to WIN 1 of 5 Harlequin bestseller packs

As a medical examiner, Samantha Owens knows her job is to make a certain sense of death with crisp methodology and precision instruments. But when the Tennessee floods took her husband and children, the light vanished from Sam's life. She has been pulled into a suffocating grief no amount of workaholic ardour can penetrate — until she receives a peculiar call from Washington…

On the other end of the line is an old boyfriend's mother asking Sam to do a second autopsy on her son. Eddie Donovan is officially the victim of a vicious carjacking, but under Sam's sharp eye, the forensics tell a darker story. The ex-Ranger was murdered...though not for his car.

Forced to confront the burning memories and feelings about yet another loved one killed brutally, Sam loses herself in the mystery contained within Donovan's old notes. It leads her to the untouchable Xander — a soldier off-grid since his return from Afghanistan — and then to a series of brutal crimes stretching from that harsh mountainous war zone to the nation's capital.

The tale told between the lines makes it clear that nobody's hands are clean, and that making sense of murder sometimes means putting yourself in the crosshairs of death.

Best Links of the Week

New segment for the blog - a gathering of the most interesting stories and essays of the week.


Fast writing refresher course, I love her method! "How I Went From Writing 2k to 10k Words a Day"  

The Business Rusch: Writers & Business Kristine Rusch is right, for a writing CAREER, you have to know the business too 

Letter from the Pulitzer Fiction Jury: What Really Happened This Year : The New Yorker 

Letter from the Pulitzer Fiction Jury, Part II: How To Define Greatness? 

Conference season and the pitch (super advice for newbies pitching agents) 

The Role of Corporate Sponsorship and Language in Dystopian Fiction: The New Yorker  (a fascinating thought)

Why Blog?

 

I took a hiatus from my group blog for several reasons – the biggest of which was the fact that after six years of weekly blogging, I felt like I’d said all there was to say. I took a nice long break from blogging entirely, occasionally putting up entries on this personal blog—news, announcements and such—and enjoyed not having the rigorous discipline of spending a full day a week on a touching, informative or funny essay.

And then I started to miss it, while going through a rather major writing crisis of sorts. I got into a slump.  The scary kind.

Not the “I can’t write, words won’t come to me” slump, but a true existential crisis, “Why am I doing this?” slump.

The kind of slumps that end artistic careers.

So I shared my fears with my closest friends, who encouraged me to look to my process and suggested books and sent me all sorts of happy making things in the mail. I dove headlong into THE ARTIST’S WAY. I did all the exercises required of me. I figured out why I wanted to be a writer. Then I had a nice little breakthrough, and wrote three books in ten months.

And wouldn’t you know it, the career slump ended.

But I came out the other side not entirely sure of who I was as a writer anymore. The constant self-examination and doubt left a residual grime on my mind. Social networking exacerbated this feeling of displacement. The voice in the back of my head tried to help me fit in, but nothing worked. I tried on several hats. Tried to imitate the people I admired. None of it worked. I lost confidence in myself, again.

And then I went to California and ran into a buddy from my old group blog. We caught up for a moment, then he said, “I miss your voice on the blog.” I replied in kind. “I miss you guys, too.” And he said, “No, not like that. I miss your voice, man.”

I actually felt tears in my eyes. I know the moment my “voice” left me. I was discussing a particularly difficult blog entry and the person I was talking to said, “No one wants to be lectured to.”

Ouch. And I don’t mean pull off the band-aid ouch, I mean cut your arm open to the bone and require fifty stitches without anesthesia ouch. That kind of surreal pain that’s so horrid that afterward you can’t even remember exactly what it felt like, just that it hurt a whole damn lot.

And so I realized high school never ends, and I packed it up. Shut it down. Quit my blog. Went off to my corner and pouted.

Now, said person isn’t a writer, or even in the industry. But theirs is a voice I listen to, whether I should or not, and when I suddenly looked back on the past six years of blogging and wondered – Did people think I was lecturing them? (I hope you can hear the distaste I feel when I type that....) That single sentence clouded everything I did. Everything.

And so my world fell apart.

And that wasn’t right.

You have to be very careful what you say when you criticize an artist. It can actually permanently derail them. Whether it’s true or not doesn’t matter. It’s the idea that we’re doing something wrong that’s so frightful.

When my friend said he missed my voice, a little bit of me jumped up and said, yeah, I miss it too. I was never trying to lecture anyone. That was a thoughtless thing to say. I was working through my own problems, my issues with writing, good and bad, observations about the writing world, all that jazz. I felt like I’d gained some knowledge about the industry, and I was trying to share. The discipline of this navel-gazing kept my writing on track, fiction and non-fiction alike.

So I’m going to attempt to find that voice again. I’ll stay away from the group blog, because the structure and timing and politics don’t work for me anymore, but I’ll start talking about writing and process and such again. I’m going to shoot for a brief weekly or bi-weekly writing blog, on Fridays, like I used to.

You can help me out by leaving a comment here or there, or asking a question. Nature abhors a vacuum, remember.

Oh my. That was a bit lecture-y, wasn’t it?