Happy Is As Happy Does

Happy Is As Happy Does

A man’s joys are always transient, and since men devote themselves to pleasure, seeking after happiness, they undergo birth and decay.

The Buddha

I'm in a really happy place right now. I'm happy with my career, with my creative output. I've been blessed with the ability and resources to renovate some of the things I don't like in my house. I have a wonderful marriage, great friends, and a loving family. It's almost too good to be true, so I am trying to be very careful, very aware, of how nice things are right now. Because, as you know, life changes on a dime. It's a day to day kind of existence, whether we want it to be or not.

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Best Links of the Week

 

Every author will tell you, this business has ups, and downs. In this great essay on Writer Unboxed, Robin LeFevers covers The Seven Stages of Publishing Grief. If you want insight into the writer's mind, what's happening behind the scenes, read it. 

Steven Pressfield has an interesting look behind the scenes on why it takes so long to publish a novel - with handy step by step processes! 

Kristine Kathryn Rusch has the second and third parts of her series: Why Writers Disappear 

Southern Festival of Books was very fun this year. I did a panel with the indomitable Sandra Brannan, which was raucous and the most fun I've ever had on a panel. Here's a deeper look at the festival, and why it draws in so many people. 20,000 Turn Out for the Southern Festival of Books  

My writer friend River Jordan sent me this great essay from Josh Ritter's blog on the joy (and myth) of the writer's desk Lots of truth. Sometimes it is the fantasy of being a writer that gets in the way of the writing.

From the TERRIBLE MIND of Chuck Wendig, a totally cool interview with one of my favorite writers, Margaret Atwood. All I have to say is, "Up yer kilt!"

On Hilary Mantel's Booker Win for "Bring Up the Bodies" in The New Yorker - I loved the way Mantel is talked about here. She's making history, and read through to the very end, because her revelation is intense.

On the squishy feel good side, some serious truth about how the universe works: Everything You Want Is Waiting for You 

And on this week's Tao of JT: Not ANOTHER NaNoWriMo Blog...

Not ANOTHER NaNoWriMo Blog...

Yes, it is. Because it's that time of year, when millions of people will sit down at their computers November 1 and commit themselves to writing a novel over the course of the next 30 days. National Novel Writing Month - or NaNoWriMo - is an exercise in lunacy, pain, exultation, and true accomplishment. 

Whether you finish or not, the 30-day, 50,000 word sprint has a more specific purpose: to help you develop the habit of sitting down at the computer every day and mindfully writing.

To meet the NaNoWriMo goals, you must write an average of 1666 words a day. That equals about 7-8 pages. To some, that seems an insurmountable number, which is why the whole goal of NaNo is for you to write without censure, turning off your inner editor, not worrying about plot or structure or voice or character, just writing. Getting words down on the page. Free as the wind.

Just so you know….1666 - That’s pretty standard output for a professional writer. With the exception of the times we’re pouting and moping, of course, we do that every day, and then some, five to seven days a week, 365 days a year. With deadlines looming, books releasing, and the necessary issue of worrying about plot and structure and voice and character, satisfying contractual obligations… etc… etc… those numbers can rise into the 4-7K range. That's a lot of pages in a day.

I love NaNo. I think it’s a great exercise. The first 60K of 14, the second Taylor Jackson book, was a NaNo winner in 2006. I use November every year as a fun challenge to myself to see how much I can write in a month. It’s always the start of the cycle - two books in quick succession. This year, I'm deep in my collaboration novel with Catherine Coulter, JEWEL OF THE LION, and as soon as it's finished, I head into Samantha Owens #3, plus I'm into a short story for my annual novella with Alex Kava and Erica Spindler. I NEED a nice, big, fat, lush November.

Just FYI – a NOVEL is usually 75,000 plus, (mine are usually 90-100K) while a NOVELLA is 20-45,000 words. Just so you don’t think you’ve written a novel at 50K.

As you sit down to your computers November 1, remind yourself of this one thing. Should you succeed, should you finish the 50K, and go on to write another 30-50K on this story, then edit and edit and revise and revise then submit to agents, get an agent, who sells the book, you will be asked to do it again.

Yes, this isn't a one off situation. 

When you work hard to fulfill your dreams, they have a tendency to become reality. And reality for a professional writer isn’t just a month of intensity. It isn’t just 1600 words a day. It is months of intensity. Millons of words. It is deadlines and jubilation and triumph and setbacks and heartbreak and bad breaks and sheer unadulterated bliss coupled with some luck – always luck. But none of that happens with seriously hard work.

So if you want to do this as a career, stick that in the back of your mind as you fly through the month of November. 

One more thing. DO NOT, under any circumstances, submit on December 1. Take a few weeks off. Flesh out the rest of the book. Think about your story. Be sure it's up to regular novel word count, finished, polished, and perfect. Then, and only then, can you submit. Remember, you only get one chance to make a first impression.

With that - best of luck to you all!

(My friend Tracy Lucas put together a listing of all the word counters, and inside her post is stashed a most glorious tool - the yearly word counter. Check it out. I us it religiously.)

And a fun PS: My dear friend, the brilliant author Allison Brennan, will be here next week in my stead. I can't wait to hear what she has to say. Her new novel, STALKED, releases October 30. Go pre-order it. You won't be sorry!

Best Links of the Week

 

Dear Writer Friends: Something to think about - are readers fickle? Will they forget you if you don't social network?  Something very interesting that generated a lot of thought on my end after my awesome readers weighed in: 98% feel writing the book is more important than social networking. 98%! More on this soon, too.... 

Are You Comfortable with Yourself?  I really love this. Happiness comes from within....

1984, the Thriller This is an incredibly interesting view of this seminal dystopian novel

Christine Rose Elle tackles The Task at Hand: Motivation in 30 Seconds or Less Something we all could use a little help on sometimes

I can't wait to read THE CASUAL VACANCY, and I love this piece on JK Rowling - she's really in control of her destiny, and I have great respect for her. J. K. Rowling - By the Book - NYTimes.com 

New Sylvia Day eBook Sells 286k Copies In First Week | Publishers Lunch It is totally awesome to watch an author break out like this. 

And on the Tao this week: The Art of The Steal - What happens when you're perfect idea is done by another?

The Art of The Steal

 

There is absolutely nothing worse than striking upon the most brilliant idea, working it, honing it, shaping it, then opening Publisher's Marketplace or Variety and seeing your perfect idea, one that you've never even discussed with anyone, SOLD for a ton of money. 

It happens so often that you have to wonder if all artists' brains are wired together. I've had it happen many times. It happens to my friends. It happens to all of us. It's frustrating, and annoying, and demoralizing, especially when your concept is either done really, really well and makes millions, or it's butchered into pieces. Either way, your brilliant idea is done.

Or is it?

This is why I repeat the adage - THERE ARE ONLY SEVEN ORIGINAL PLOT CONCEPTS.

Seven.

It's all in the treatment, that's what sets the seven stories apart. We're all so wildly different: different life experiences, different living arrangements, different parts of the country with different local news stories that capture our attention. While ideas may germinate and look similar on the surface, it's rare that they're actually stolen. It happens, though. Check out this story from my friend Doug Richardson, screenwriter extraordinaire. It's our nightmare.

There's another side to this problem. When you've pitched an idea, it doesn't sell, and then, a year later, someone comes out of the blue with an idea eerily similar to yours and it's snapped up.

Timing? Or stealing?

Hey, plagiarism happens, we see it in the news all the time. The stealing of concepts, though, that's a much more amorphous area. Do we own our ideas? Hollywood screenwriters register their concepts; we fiction writers don't have that mechanism in our world. We should. We really should. 

This is why new writers often refuse to submit, because they're afraid their idea will be stolen. I tell them again and again - that would never happen. Publishing is a place of integrity, they aren't in the business of stealing people's ideas and giving them to others.

And yet, and yet, and yet... a conversation overhead plants a seed, more conversations are had, and the next thing you know, a deal's been struck. It's just the way the world works.

Happily, since we are all so very different, an original concept will rarely, if ever, mimic your story. 

Think about it this way. Every house is built using the same tools - wood, nails, hammers - yet look at the variety of styles and colors and shapes. Story is similar. The basic premise might be there, but the finished product will vary wildly from page to page.

The best thing you can do when you have a brilliant idea is write it, and submit it. Keep it to yourself until you're ready to share. And if the unthinkable happens, and another writer scores a deal on a book that is so close to your own you're gnashing your teeth? Well, I'll leave that up to you, but there are always ways to get your sweet revenge.