Best Links of the Week



Speeches, Events, and Overheard at RWA from Smart Bitches, Trashy Books - This needed to be said. I still believe in publishing. I don't find my team simply transmitters. A lot of the technical side of this is true--it's easier than ever to get good books in the hands of readers--but that doesn't mean we need to jettison the people who got us here in the first place. There's room for everyone on this train.

Stephanie Laurens Keynote - Beacuse we're fair and balanced here at the Tao. You make up your own mind on this one. Would love to hear what you think.

Just because the author does a lot of marketing doesn't mean the publisher can't help - The Shatzkin Files - I think the trick these days is finding the right balance between what the house does and what you do. We're writers, after all, not marketing companies.

Why social media isn't the magic bullet for self-epublished authors | Books | guardian.co.uk - Another furor. But there is a LOT of truth in this article. Must read.

Writing Wednesdays from Steve Pressfield: The “A” Story and the “B” Story - Great analysis for story lines.

4 Best Writer's Block Infographics | Tech18 - Some very cool ways to look at the beast. Writer's Block isn't real though. It's just your story telling you you're going in the wrong direction.



August Newsletter

August 2012
Volume XV

My dear readers: 

For those of you new to the newsletter, welcome! Thank you for joining, I'm thrilled to see you here! Pour that hot tea over a cup of ice, pull up a chair, and let's get to it. 

The days are getting shorter, the political landscape is heating up and if you're anything like me, escape is the only acceptable course of action. Since this is the last of my summer newsletters, I must suggest some more excellent beach reads. New this month are books from some of my favorites authors: a YA thriller by Michelle Gagnon, DON'T TURN AROUND; the latest Lucy Kincaid thriller from Allison Brennan, STALKED; a lovely romantic thriller, HERON'S COVE, byCarla Neggers, and an intense religious thriller from Sean Chercover: THE TRINITY GAME. Goodness, I see a trend. So let's buck it with one last recommendation — THE MAGICIANS, by Lev Grossman. It's Donna Tartt's THE SECRET HISTORY meets Harry Potter — intellectual thermonuclear magic for adults. I couldn't put it down.


A DEEPER DARKNESS Releases in Australia 

You've been so patient and so kind, and finally, here it is! I'm so excited to share that Sam has gone down under. There's a great contest associated with the release as well, click here to enter. Would love to hear what you think of the new book.


Contest

The July contest has closed, and the winner is Barbara Gonzales. Congratulations! Your copy of THRILLER 3: LOVE IS MURDER is on its way. And of course that means the August contest is now open. At stake this month is the audiobook of A DEEPER DARKNESS, read by Joyce Bean. You can enter here

News

I've just returned from RWA's national conference in Anaheim, California. I was honored to have WHERE ALL THE DEAD LIE nominated for a RITA® in romantic suspense, and the awards ceremony was an extravaganza. J.D. Robb ended up winning my category, but I had an absolute blast. It was great to scrap the yoga pants in favor of a real live ball gown. Pics are up on the Facebook page, and I'll upload them to the site soon. 

The neat thing about attending a massive conference (1800 attendees and 800 writers) is the inspiration. I always come out of conferences with a sense of urgency about my writing, a need to get down to work, produce tons of words, and be a real writer. There's something about seeing people honored for their 100th, heck, 200th book that is a vital kick in the butt. If you're a writer, or want to be, I highly recommend finding your nearest writers' conference and attending. It's an eye opening experience. And if you're a reader, trust me, being in the same room as 50 or so of your favorite writers at once is so worth it.


Tours

On the plane home, I took a good hard look at the calendar and realized I am actually booking through 2014. I like to plan in advance, sure, but that's just ridiculous. 2013 is going to be a slower year for me on purpose, as I'll have three books and a short story to write, so staying home is vital. Next week I'm off to Cape Cod for the SEAK Conference for Doctors and Lawyers, then we are actually going on vacation. No internet! No working! (I delude myself into believing these declarations, but I will try to unplug.) October brings Nashville's very ownSouthern Festival of Books and in November I'll be at the Dahlonega Literary Festivalin Georgia. Looking forward to fall in the mountains! 

If you are a Nashville honey, there will be a happy hour fundraiser called BEER, BOOKS, AND BANTER to celebrate SoFest August 28, 5:30 p.m. at Yazoo Brewery. $20 at the door, RSVP to Georgia@HumanitiesTennessee.org. You really must attend, if only to celebrate like-minded people's love of the Oxford comma. 

August Recipe

I don't know about you, but it's so hot that I barely want to eat, much less cook. This is the time of year when I feel my Italian roots the most — antipasto is the only good solution. We love honeydew and cantaloupe wrapped in lean prosciutto with a drizzle of EVOO and cracked pepper, hard salami with shaved parmesan and fresh mozzarella, and the simplest bruschetta on the planet — garlic-rubbed bread toasted under the broiler for a few minutes, topped with ripe halved cherry tomatoes, freshly picked sweet basil from the garden, a little EVOO and a grind of sea salt. Quick, simple, delicious. The trick is sweet basil versus regular. Makes all the difference in the world. 

Social Butterfly

Just a reminder: Facebook wants me to pay to have my posts seen in your timeline feeds. I find that unfair, so if you aren't seeing my updates, please come to the reader page,http://www.facebook.com/jtellison14, and Un-Like me. Yes, Un-Like me. Then “Like” me again, hover your mouse over the Liked button, and check the box that says Show in my Newsfeed. As an added bonus, leave a comment on the wall. Those few steps will help assure that you see my updates. But since I understand how algorithms work, (in other words, Facebook controls everything you see, whether you want to or not) I am also going to be spending a little more time on my personal blog. So if it crosses your mind that you haven't heard from me lately, hop on over to the blog and join the conversation there. As always, I'm playing on Twitter under the handle @thrillerchick. 

Enjoy the rest of your summer, and many blessings to all of you. Happy reading! 

xoxo,

A DEEPER DARKNESS Releases in Australia

A DEEPER DARKNESS goes down under with a kick ass cover and a great contest.

Thank you all for being so patient with the release!

ENTER NOW to WIN 1 of 5 Harlequin bestseller packs

As a medical examiner, Samantha Owens knows her job is to make a certain sense of death with crisp methodology and precision instruments. But when the Tennessee floods took her husband and children, the light vanished from Sam's life. She has been pulled into a suffocating grief no amount of workaholic ardour can penetrate — until she receives a peculiar call from Washington…

On the other end of the line is an old boyfriend's mother asking Sam to do a second autopsy on her son. Eddie Donovan is officially the victim of a vicious carjacking, but under Sam's sharp eye, the forensics tell a darker story. The ex-Ranger was murdered...though not for his car.

Forced to confront the burning memories and feelings about yet another loved one killed brutally, Sam loses herself in the mystery contained within Donovan's old notes. It leads her to the untouchable Xander — a soldier off-grid since his return from Afghanistan — and then to a series of brutal crimes stretching from that harsh mountainous war zone to the nation's capital.

The tale told between the lines makes it clear that nobody's hands are clean, and that making sense of murder sometimes means putting yourself in the crosshairs of death.

Why Blog?

 

I took a hiatus from my group blog for several reasons – the biggest of which was the fact that after six years of weekly blogging, I felt like I’d said all there was to say. I took a nice long break from blogging entirely, occasionally putting up entries on this personal blog—news, announcements and such—and enjoyed not having the rigorous discipline of spending a full day a week on a touching, informative or funny essay.

And then I started to miss it, while going through a rather major writing crisis of sorts. I got into a slump.  The scary kind.

Not the “I can’t write, words won’t come to me” slump, but a true existential crisis, “Why am I doing this?” slump.

The kind of slumps that end artistic careers.

So I shared my fears with my closest friends, who encouraged me to look to my process and suggested books and sent me all sorts of happy making things in the mail. I dove headlong into THE ARTIST’S WAY. I did all the exercises required of me. I figured out why I wanted to be a writer. Then I had a nice little breakthrough, and wrote three books in ten months.

And wouldn’t you know it, the career slump ended.

But I came out the other side not entirely sure of who I was as a writer anymore. The constant self-examination and doubt left a residual grime on my mind. Social networking exacerbated this feeling of displacement. The voice in the back of my head tried to help me fit in, but nothing worked. I tried on several hats. Tried to imitate the people I admired. None of it worked. I lost confidence in myself, again.

And then I went to California and ran into a buddy from my old group blog. We caught up for a moment, then he said, “I miss your voice on the blog.” I replied in kind. “I miss you guys, too.” And he said, “No, not like that. I miss your voice, man.”

I actually felt tears in my eyes. I know the moment my “voice” left me. I was discussing a particularly difficult blog entry and the person I was talking to said, “No one wants to be lectured to.”

Ouch. And I don’t mean pull off the band-aid ouch, I mean cut your arm open to the bone and require fifty stitches without anesthesia ouch. That kind of surreal pain that’s so horrid that afterward you can’t even remember exactly what it felt like, just that it hurt a whole damn lot.

And so I realized high school never ends, and I packed it up. Shut it down. Quit my blog. Went off to my corner and pouted.

Now, said person isn’t a writer, or even in the industry. But theirs is a voice I listen to, whether I should or not, and when I suddenly looked back on the past six years of blogging and wondered – Did people think I was lecturing them? (I hope you can hear the distaste I feel when I type that....) That single sentence clouded everything I did. Everything.

And so my world fell apart.

And that wasn’t right.

You have to be very careful what you say when you criticize an artist. It can actually permanently derail them. Whether it’s true or not doesn’t matter. It’s the idea that we’re doing something wrong that’s so frightful.

When my friend said he missed my voice, a little bit of me jumped up and said, yeah, I miss it too. I was never trying to lecture anyone. That was a thoughtless thing to say. I was working through my own problems, my issues with writing, good and bad, observations about the writing world, all that jazz. I felt like I’d gained some knowledge about the industry, and I was trying to share. The discipline of this navel-gazing kept my writing on track, fiction and non-fiction alike.

So I’m going to attempt to find that voice again. I’ll stay away from the group blog, because the structure and timing and politics don’t work for me anymore, but I’ll start talking about writing and process and such again. I’m going to shoot for a brief weekly or bi-weekly writing blog, on Fridays, like I used to.

You can help me out by leaving a comment here or there, or asking a question. Nature abhors a vacuum, remember.

Oh my. That was a bit lecture-y, wasn’t it?

On Love Is Murder Release Day

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Between the Lines of
LOVE IS MURDER
edited by Sandra Brown

a special bonus interview for Big Thrill newsletter subscribers by Julie Kramer

LOVE IS MURDER says it all. Story after story. Romantic suspense is the theme of the latest International Thriller Writers anthology.

Sandra Brown, author of more than sixty New York Times bestselling novels, immediately accepted the task of editing the short story collection even though she's never written a short story herself.

“The challenge of writing a short story is so daunting to me,” she said.  “I'd rather write a full-length novel than even attempt a short story because a good one requires a particular talent that, sadly, I don't have. That's why I was so impressed by the cleverness of the stories.”

The book's appeal is also that Brown shares her gut reaction to each narrative's mechanics and passion, heightening readers' expectations story-by-story.

“These writers knew what they were doing,” she said. “Each is different. Some are poignant, others scary. Some focus on high octane action, while others are shatteringly emotional or psychologically terrifying.  Reading them for the first time, I was truly, jaw-droppingly amazed by the variety of talent.”         

Brown says the allure of romantic suspense as a genre comes because it crosses over so many other genres -- mystery, thrillers, even science fiction.  “Diehard readers of those genres find all the elements they expect and favor, plus the love story angle. The romance adds spice, certainly, but it also raises the stakes for the protagonists.  Love is a dramatic and powerful motivator that can instill in a character strong emotions like rage, bravery, despair, all of which makes for great storytelling.”

 

Cameos by Series Characters 
 
Many of the anthology authors used familiar characters from their novels in their short stories, including Allison Brennan. Her series protagonists Lucy Kincaid and Sean Rogan appear in “Vacation Interrupted” to save a drowning man only to discover he's not out of danger yet.
 
“This story gives my fans a snapshot of my characters between books and allows new readers a chance to meet them,” she said.
 
“No dead bodies, no psychopaths, no one trying to kill us.”
 
As managing editor of the ITW anthology, Brennan sized up the challenges: “Romantic suspense is more complicated than most thrillers because it requires three central characters  -  a heroine, hero and villain. That's a lot of conflict to fit in a few thousand words.”
 
Brennan says most of the sex in LOVE IS MURDER comes from sexual tension. 
 
Lori Armstrong's short is definitely the exception. In “Holding Mercy,” her western series star, Mercy Gunderson, can't have a normal date night without things going wrong.
 
The bad thing about wearing a tight black dress? No place to put my gun.
 
Yet the story moves from Mercy and her man, Dawson, making up to making out to making love in a sizzling sex scene climax. How did Armstrong fit plot and sex in the three-thousand word story?
 
“I wasn't going to force putting sex in,” she said, “but it worked. When I started writing the story, I wasn't sure there would be time for the characters to have sex because I tend to write long. But in the end, it worked.” 
 
Stand-Alone Shorts 
 
Most of the stories stand by themselves, with no connection to previous work by the authors. But  romantic suspense is no guarantee the characters will live happily ever after. Take Julie Kenner's “The Honeymoon.”  A bridal couple on a road trip run into trouble...and when their honeymoon is over, so is their marriage.
 
“I need sleep.” She rubbed her hand along his thigh. “And sex. New brides need lots of sex.”
 
“I love noir films and novels, “Kenner said, “and I've always been particularly fascinated with endings that are both twisted and dark. I wanted to have fun with the journey, but knew from the start that it wouldn't have a happy ending.”


 
The time it takes to write a short story can stretch long.  J.T. Ellison wrote a version of “The Number of Man” - a TV anchorwoman stalker tale - and shelved it for six years.
 
It began in a single moment, the briefest of connections.
 
“When the chance came to write a story for a romantic suspense anthology, I immediately pulled it out,” she said, now having the confidence to write the multiple points of view and up the creep factor in her villain. “What could be more romantic than a stalker, really?” 
 
Ellison says the obsession displayed in her story was inspired by an actual criminal. “The Wooded Rapist here in Nashville. We’d just moved to a house that backed to the woods – and I was warned about him. He only struck on rainy nights, at houses that backed to the woods. Freaked me right out, and variations of his character began to work their way into my stories.”
 
Tough Guys Penning Romantic Suspense?
 
Of the 29 stories in LOVE IS MURDER, eight were written by men, including Robert Browne whose story “Speechless” deals with a mother-daughter conflict over a boyfriend. Browne wrote the piece from a woman's perspective in first person so effectively the editor didn't realize he was male.  
 
The only reason I was there was because of my mother.
 
So what's a tough guy like him doing in a romantic suspense anthology?
 
“Seriously, I'm not much for labels,” Browne said. “To my mind a story is a story and every story I write has some romance in it, so this didn't seem like much of a stretch to me.”
 
Browne has written five thrillers, but also found the short story format more difficult. “Fewer words makes it much harder for me. You have to tell a complete story in a few thousand words and that's a very tough thing to do. Novels give you room to explore. With short stories you have to get in and get out as quickly as possible, and hope you made an impact on the reader while you were there.”
 
Setting as a Character
 
In person, Heather Grahamexudes a theatrical presence, so no surprise her story, “Grave Danger” takes place in a special effects production studio. Stage props of zombies and werewolves abound, but it's the hint of real life paranormal that makes readers think about the life and death tale long after it's over.
 
The shuffling sound of footsteps had brought her here.
 
Graham's inspiration doesn't always come from her imagination. “I have a friend who works at such a studio and I was still in wonder of all the things I'd seen there,” she said. “She created the little pig that goes “wee, wee, wee,” all the way home in the car the insurance commercials. She also dresses Robert Downey Jr. When he's being Ironman.  Seeing her work and how so much was created was truly an awesome experience.”
 
If you can't get enough of where all her action happens, the studio setting plays an encore appearance in her upcoming thriller, The Unholy.



 

Wildcard Winners
 
While most of the LOVE  IS MURDER stories came from popular authors who were recruited to pen a piece for the anthology, three were selected from 68 blind submissions. Among them, Dr. D.P. Lyle - best known for his medical thrillers and acclaimed nonfiction forensics books.  He was stunned when “Even Steven,” the first short story he's ever written, was declared a winner. His premise centers on revenge: What if a couple decided to kill the murderer of their only child?
 
“I can still smell him.”
 
“I wrote it in a weekend,” Lyle said. “I knew the beginning, middle and end in my head. Months and months passed and I didn't hear anything.” Finally, the wait was over. “An editor at Mira called to say she loved it and that everyone in their office was talking about my story. 'We want to know what happens next,' she told me. “Have you considered turning it into a novel?'”
 
So he did. And Run to Ground will be released by Oceanview Publishing in August.
 
Lyle hopes the behind-the-scenes story of his success will inspire other writers to try short stories and not be discouraged by authors who claim they are difficult.  “I like to think of myself as a natural born teacher. I hope someone says 'If that dufus can do it, I can do it.” 

 
Breaking Rules?
 
The unusual structure of Lee Child'sstory, “I Heard a Romantic Story,” stands out from the pack:  a six-page paragraph from the point of view of an assassin. He hooks readers from the first line to the last. 
 
I heard a romantic story. It was while I was waiting to kill a guy.
 
“I re-read the story when I saw the galleys and I thought, what was I smoking?” Child said. “I treat all short story commitments as a chance to experiment and this is what came out that time. I wrote it in one sitting and didn't revise it. I think novelists see shorts differently from their readers. I just hope mine cut me some slack.”
 
As editor, Sandra Brown had no worries about his unconventional approach. “The only problem I have with Lee Child is that he doesn't write fast enough.  I could read something new from him every day.”
 
For readers looking for new material from their favorite writers or to find new authors, LOVE IS MURDER delivers plenty of intrigue. The anthology has garnered critical acclaim, including a starred review from Publisher's Weekly: “Chockablock with nifty plot twists, these stories aren’t to be missed.” 




“Absolutely superb.” Doug Preston, #1 New York Times bestselling author
Now available online and in bookstores!
 



Go on vacation with Allison Brennan’s Lucy Kincaid, where she saves a man from drowning, only to discover he is in far greater danger on land. Meet Roxanne St. Claire’s “bullet catcher”–bodyguard Donovan Rush–who may have met his match in the sexually charged “Diamond Drop.” Debut author William Simon shows us what happens when the granddaughter of the president of the United States is kidnapped. And Lee Child’s pitch-perfect “I Heard a Romantic Story” puts a whole new spin on Love Is Murder.

Bodyguards, vigilantes, stalkers, serial killers, women (and men!) in jeopardy, cops, thieves, PIs, killers–these all-new stories will keep you thrilled and chilled late into the night.

With original short stories from Lori Armstrong, Jeff Ayers, Beverly Barton, William Bernhardt, Allison Brennan, Robert Browne, Pamela Callow, Toni McGee Causey, Lee Child, JT Ellison, Bill Floyd, Cindy Gerard, Heather Graham, Laura Griffin, Vicki Hinze, Andrea Kane, Julie Kenner, Sherrilyn Kenyon, Dianna Love, Jon Land, D.P. Lyle, James Macomber, Carla Neggers, Brenda Novak, Patricia Rosemoor, William Simon, Alexandra Sokoloff, Roxanne St. Claire, Mariah Stewart, and Debra Webb, you won’t want to miss this!


Join the Love Is Murder Thriller Roundtable discussion for a chance to win a free copy!

Join Love Is Murder contributors William Simon, Laura Griffin, Jon Land, Alexandra Sokoloff, Jeff Ayers, Diana Love, James Macomber, and J. T. Ellison as they discuss the inspiration behind their anthology short stories.

Post a comment for a chance to win one of 3 copies!



May 28 - June 3 - only on The Big Thrill!


Watch the trailer!





 
“An absolute must-buy for thriller readers everywhere.” Lisa Gardner, #1 New York Times bestselling author



“I love this book and you will, too.” Tess Gerritsen, International bestselling author





“Gripping, exciting, engaging–every story will leave you breathless.” Karin Slaughter, #1 Internationally bestselling author


“A slam-dunk collection of the best in the business.” Steve BerryNew York Times bestselling author


“For romantic suspense lovers, this is magical mayhem loaded with bark and bite. Downright beguiling.” Jeffery Deaver, International #1 bestselling author

“It’s like a box of chocolates–each one is different, but they’re all great.” Joseph Finder, New York Times bestselling author

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