8.24.11

It's done.....

Done, and sent, with it's brand new ending, to New York, where I now cross my fingers that my team likes the changes I've made, and we can go straight to copyedit.

 (Snoopy dance....)

Well, not Snoopy. The Charlie Brown Christmas special dance - you know the one....

 

 

That feels happier to me. Poor Snoopy always gets embarrassed at the end of his and slinks off.

I'm free... to do what I want... any old time.....

Okay, that's not exactly true. I wish it were. But getting this off my plate, plus the slew of other things on my to do list this week, means jumping into the next project, the sandwich book, which is lagging from where I want it to be. Tomorrow. I'll worry about that tomorrow.

And a ton of books that I've been waiting to read - Laura Lippman's new one came out Tuesday, I have Kristina Riggle's THINGS WE DIDN'T SAY next to me, Kathyrn Stockett's  THE HELP, American Assassin by Vince Flynn, THE GIRL WHO PLAYED WITH FIRE.... oh, so many books, so little time. Plus three writing books I need to get under my belt....

Had a major oh shit moment this morning though - somehow, I've been working on two versions of the same document. There is nothing worse than realizing you may have lost some changes. For some strange reason, I opened my entire Finder folder for the book this morning, and happened to glance at the list and saw my snafu. Thank God I caught it in time. I was able to merge the two documents, go back through and make all the fixes (which was a good exercise in making sure I'd done all I needed to do) and went forward.

So it's been a good day. I hope yours was, too.

8.23.11

So close to being finished I can taste it. I've been in the same position for about six hours, I think. (creak) I want to be done so badly that I'm making myself stop, so I don't rush the end. A great work day today - I think by the time I'm done I will have added a lean 5,000 words to the book - clocking it in at just at 90,000 words. 400 pages. Perfect. That's exactly my goal for this one.

I always grow my books during revisions rather than shrink them. It's just how things have naturally played out with every manuscript I've ever written. So I always have to warn my editors beforehand - I come in short, but don't worry. It will be the right length when we're all done.

Have an interview to answer and one to give, so I'm going to keep this short so I can dive into them before dinner. I thought I'd leave you with this fascinating link to an interview Julia Stiles did about her time on Dexter. This was last season, when she played Lumen, who started as a victim, then reclaimed herself through vengeance. She's my all-time favorite character on Dexter. The 5th season's arc is a perfect example of how to grow a character.

THR: What was the most challenging aspect of playing a victim-turned-revenge killer like Lumen?

Stiles: I never think of myself as an actor who takes work home with them, but I was surprised, especially toward the end of the season -- around episode 10 -- when some of the details of what Lumen had experienced became really harrowing, and I started to realize that it was affecting me outside of work. One scene in particular, in episode 10, when the detectives have found DVDs showing what has happened to the victims -- it was really dark. It made it more difficult for me to sleep.

I am slowly conquering my nightmares, but it is nice to hear I am not alone when it comes to falling into the abyss.

Stiles' thought process is as close to my own as I've ever seen. Actually, her process mimics mine to the letter. She had to become the victim in order to play her, and of course, as a writer, you must do that as well, so you can truly allow the reader (or viewer) to experience their terror, and feel true sorrow for them.

And of course, you must be able to identify, even if it's just a tiny bit, with the killer.

Here's the link to the full interview. Enjoy.

See you tomorrow....

8.22.11

Solid work day today. More than halfway through the revision, still on schedule for turning in Wednesday. Got the excerpt for WHERE ALL THE DEAD LIE, if you're interested in reading it. Gnashed my teeth at the sandwich book, though Thursday, it will be mine.

So.... Rachel asked what turned me into a writer. My journey. It's a long story (aren't they all?) I've written about it before, so I'm taking a bit of a shortcut, if you'll allow me. I'll recreate it in blog entries for you:

The First Day - This was my first ever blog post, back on December 4, 2004

From Then To Now - This was my second ever blog post, on March 31, 2006. Note the two year gap. I was writing my fanny off during that time, learning the industry, making friends, joining organizations, working my fanny off (oh yeah, already said that.)

Whoo-hoo! - This was the third, and possibly most important, on May 6, 2006

And then, the whole shebang: From Murderati, on May 19, 2006

I’ve been walking around with a stupid grin on my face since last week, when I received what will be hereafter forever be referred to as “The Call.” The Call came from my agent, a spectacular guy housed high in a building in New York, where he gets to make people’s dreams come true. What a job, huh? As with many agents, he’s a busy guy, so if his number shows up on the caller ID, generally something’s up. And man, was something up last Tuesday.

Let me backtrack for a moment. When Murderati launched back in April, I told you I’d wait to tell you my story. Bits and pieces have come out, but the essential JT Ellison is still under wraps. Let me go over a couple of things that ultimately led to The Call, before we go into the details of said Call, okay?

I’ve been a writer my whole life. I started young, with picture book stories, little shorts with handmade felt hard covers that I illustrated and carried around proudly. I dabbled in poetry, read anything my parents would let me (which was pretty much everything) and dreamed of being famous one day. Then came my first introduction to the harsh world of publishing.

I won a contest when I was in the third grade – a poetry assignment for the local newspaper. I was studying slavery at the time, and wrote this poem from a slave’s point of view. The judges liked it and I won the contest. My grandmother on my Dad’s side, GranMary, was a journalistic type in Gainesville, Florida. She wrote a column in the newspaper, did some short romances, that kind of stuff. My parents sent her the poem. She sent it to TRUE CONFESSIONS magazine. I promptly received a very nice REJECTION LETTER. I was ten. I understood why they didn’t want my poem about slavery – really, what’s romantic about that?

Fast forward to college, senior year, and a professor who told me I’d never get published. That probably offhand comment by a frustrated artist killed my creative spirit. I stopped writing, took a job in politics, went to graduate school to learn how to run political campaigns. Met Hubby, so I guess I need to thank her at the same time. It’s one of those things, the road not taken, which baffles me. I can’t imagine doing it any other way, but what if she had been encouraging, thought I should go ahead with my MFA?

I actually was going that route until my French credits messed the application process up. Apparently, I didn’t have the appropriate language labs fulfilled. I could go back to school for a semester, take French III with language lab, and then I could go for my MFA. Like being able pour s'obtenir à la W.C. dans le Français parfait had any bearing on my ability to write in ENGLISH. So I started looking at MA programs in politics. I wanted to go to Harvard's Kennedy School of Government, but at the last minute, decided to stay in D.C. So The George Washington’s Graduate School of Political Management was the way to go, on every level. I can only imagine what kind of damage that MFA program would have inflicted on my style.

All in all, a good move, because I met my husband the first five minutes of the first night of classes. He kissed me for the first time the next night, and we got married three years later to the dy. That anniversary happens to be coming up this Friday. Our 20th/17th. Unreal.

Fun political career: job in White House, then Department of Commerce, lose election, lose job, go to work  for political sonofabitch, quit, start at Lockheed Martin, end up in marketing for two defense subcontractors. Husband unsettled, wants to move back home to Nashville.

Fast forward to 2003. I’m living in Tennessee, am in between jobs, and have some time on my hands. I’m reading John Sandford’s Prey series front to back. I have a wild hair. I’m going to write a book.

So I did. It was terrible. A true study in cliché, a perfect example of what not to do. Let me assure you, a brilliant first novel really is rare. If you’ve written your first, don’t submit it. Write another. See how much your style improves from one to the next. Then you can start submitting. I tell you this because I made the mistake of submitting the first novel. Egad, it was so bad. But it had a few passages that were very good. After a slew of rejections from publishers and agents, I started over with the best parts of Book 1. That became CROSSED, which got the attention of my agent.

I’m glossing over a lot of angst and sleepless nights because this is the good part, the strawberry days. When the book wasn’t getting the right attention, my agent had the foresight to suggest I write another. ALL THE PRETTY GIRLS caught the attention of my new editor Linda McFall (I love saying that) at Mira Books. I can't imagine a better fit for me.  Now we’re up to date. Rewind to last Tuesday, when I received The Call.

What made this event so incredibly amazing, aside from the fact that I got to hear the magic words – three-book deal – my parents witnessed THE CALL. They are snowbirds, in a sense. The spend summers in my hometown in Colorado, when I spent my formative years. Twice a year they pack up their SUV and drive between homes. This year, they decided to come a day early, spend a few extra hours with Hubby and me. They’d been here for about half an hour, just gotten settled into chairs with drinks, and we had the movie A HISTORY OF VIOLENCE going, when the phone rang. I glanced at the caller ID and said something, well, rude. Along the lines of "Oh f**k". Remember I told you agents are busy folks? They don’t call just to see how your day is going. I knew this was something.

I don’t remember too much of the conversation, unfortunately. My agent teased me a little in the beginning, and since I’m the eternal optimist, I’m thinking, “Damn it, I’ve blown it. It’s over.” My heart was thudding so loudly that I didn’t even hear what he was saying until the words “three book” popped into my consciousness.

I made him go back and repeat everything he’d said. I managed to get through the conversation, half acknowledged when he said congratulations, you’re a published author now, go call your husband. I got Hubby on the phone and told the three most important people in my life the most important news I’ve ever received. And promptly cried my eyes out. I’ve finally done it. I have a book deal.

There are about 217 blogs on Murderati between then and now, if you want to see the whole bleeding mess from that moment on. : )

And here's a link to some deeper info - my inspirations and all that...

It was very fun to go back and look at all of this, so thanks, Rachel. Sometimes it's good to be reminded from whence we came...

'Til tomorrow.... I promise to be less-winded than today.

8.19.11

Lordy, I am so far behind today! I couldn't get online because I'd set my Freedom for four hours accidentally, a byproduct of that crazy 10K day.

But making great progress on the revision. This is the word by word pass, the last chance to make substantial changes pass, the I just used that word on the last page pass. Which means it's painstakingly slow. And slow doesn't fit my mood today.

I am happy! I am giddy!

I have absolutely no idea why.

C'est la vie, right? You never question those moments of happiness, you just shake their hand, say, "It's so nice to see you," and enjoy.

I did get a fun email this morning, which contributed to my good mood. The art for the May '12 book has arrived! It is stunningly gorgeous, very moody and different from the Taylor books' art. I keep having to remind myself that this is trade paperback art, which is different. I really like it. Sorry to tease, but there it is.

Also had a nice chat with my agent this morning. A check in call, just to touch base on a few things. He does that. It's nice.

Let me give you some unsolicited agent advice.

Pick one you're going to enjoy working with.

The agent author relationship is like a marriage. You need to find someone you're compatible with. Someone who gets you. Who will call and check in for no reason. Who you like. Who has YOUR best interest at heart. Who you trust.

Because if you don't trust him or her, you won't listen to him or her. And that's not good.

I happen to trust my agent implicitly. So that's a good thing. I like him too. He's cool. And he gets me, which is really nice. I can say bad words and tell naughty jokes and not wince. That's also very nice.

I happen to be one of those authors who doesn't need a lot of hand holding but sometimes my agent and editor like to hold my hand. So I have to let them. And that's nice too.

Had a blast from the past today. When I was in college, CLOSER TO FINE by the Indigo Girls was one of my favorite songs. I was really into Taoism, and fancied myself a great philosopher, so of course it would pique my interest. But I haven't heard it in years. I'm talking at least a decade. It came on the radio this afternoon and I started to sing, and remembered all the words. How is that possible? I have a horrid memory. And yet I nailed it - and the harmony too. Yay me! (I forget, there are new people here. I can't sing. Trust me on this. If I hit a note on key, it is truly a divine miracle.)

That's all, folks. I'll be working very hard over the weekend to get all the words in proper wordly order for the May '12 book. I plan to turn it in by Wednesday. Also get to have coffee with the insanely talented Paige Crutcher (@pcrutcher on Twitter) who is interviewing me for an upcoming magazine article. I can't think of a better way to spend a Saturday morning.

See you Monday! I'll trace my path to writing then. If you have questions, leave them in the comments. But I have one for you. What was your favorite song when you were 19?

 

 

8.18.11

Home again, home again, jiggity jig. If you laugh, you don't like figs.

According to The Writer's Almanac (if you're not reading it, you should - very cool) on this date in 1958, Vladimir Nabokov's Lolita was published in the U.S. to mixed reviews. Lolita is my all time favorite book. I read it for the first time in college. The opening lines captured me:


Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.

Wow. It's always amazing to me to see genius in action. It's a brilliant book. Highly recommended.

Hubby caught the flu whilst I was away, so I've been nursing him today, and finally settled in the the manuscript at noon.

Liz asked about the epilogue - I can say with all certainty that I am not writing the epilogue of the last Taylor and Baldwin book. Nor is it my first epilogue - almost all my books do have a semblance of post script - though THE COLD ROOM had an actual "epilogue" at the end. We usually don't use the term, simply because for some odd reason, some people don't read prologues or epilogues. Which strikes me as quite strange, because those are perfectly valid parts of the story. Would you ever skip the prologue or epilogue? I wouldn't.

But I will admit, this book is not a Taylor book. And that's all I'm going to say until after #7 comes out. : )

And to answer both Liz and Rachel - yes, I intend to rework that original manuscript as a prequel to the series, but not for another year or so. I think we all want to see how they got their start.

After the week of cake and pies and green chile and burritos and fish tacos, I need to eat clean. So this is what I had for my elevenses today:


Jamie Oliver's Pea, Broccoli & Feta Pasta Salad
(as seen in People Magazine, modified a bit)

 

Ingredients


  • 1/2 lb. whole wheat penne
  • 1 head of broccoli, cut into small florets
  • 6 tsp. red wine vinegar
  • 2 tsp. Dijon mustard
  • 2 tsp. honey
  • 5 tbsp. extra virgin olive oil
  • 1/2 c. frozen peas, thawed
  • 1/2 tsp. red pepper flakes
  • 1/4 c. chopped fresh mint
  • 1/4 c. chopped flat-leaf parsley
  • 1 c. Athenos light crumbled feta cheese
  • lots of sea salt and black pepper
Directions:

 

1. Cook penne in a pot of boiling salted (sea or kosher salt is best!) water according to package directions. Add the broccoli florets for the last three minutes of cooking. Drain and set aside.

2. Meanwhile, combine the vinegar, mustard, honey and olive oil in a small container (that has a lid) with a pinch of salt and pepper. Shake well with the lid on.

3. Toss the pasta and broccoli with half of the dressing in a large bowl. Stir in the peas and red pepper flakes and leave to cool.

4. Once the pasta is cool, add the chopped herbs and feta. Toss with the remaining dressing, add salt and pepper to taste, and serve.


Truly delicious - and good for you! Next time I make it, I'm skipping the mint and doubling the dressing.

 

Tomorrow is my day at Murderati - I'm talking about epiphanies!